Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
I had one Enya album, lost it somewhere. I've borrowed other Enya albums from the library and agree that all her albums sound exactly the same. She's a fine candidate for justifying getting a compilation and that's it or just one album, kinda like Ostrich Testicles.
^^ It might help if people say exactly what they mean by AOR, because I've seen that used an an abbreviation for at least two different things.
It could be a swan.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
PE member Tom Hayes wrote an article on American Midwest Prog in the 70s through early 80s. It may clear things up a little for you:
https://rateyourmusic.com/list/ashra...0s_early_80s_/
Been hearing a lot of "Kansas isn't prog" lately. I don't get it. They weren't ALL prog, but often enough, they were, as much as some of the "Big 5s."
My guess is that some people base their classification of Kansas on the only song they know, "Dust In the Wind". It's a great song, but it does not tick most of the "prog" boxes.
I own them all.
What do I win?
Music isn't about chops, or even about talent - it's about sound and the way that sound communicates to people. Mike Keneally
Music isn't about chops, or even about talent - it's about sound and the way that sound communicates to people. Mike Keneally
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