This is great album. La Ville especially is a fantastic piece of music.
This is great album. La Ville especially is a fantastic piece of music.
I'm one of those people who counts Häxan as one of Art Zoyd's best works. Probably because I like the electronic minimalism of this, and to a degree of Nosferatu, better than the acoustic attack of the first two albums, even though both contain great musical moments. Generation sans futur tops those earlier works, and on Phase IV the introduction of electronics is a huge improvement, starting a fusion which reaches its zenith with La mariage du ciel et de l'enfer, the group's finest work, IMO.
Les espaces inquiets is the odd one between the two, somehow sparser and less visceral than its successor, though it is quite good an album. I suppose Berlin stands apart from the crowd, too, being another transition towards more electronic sound and not that succesful, IMO.
I haven't heard anywhere near everything after Häxan, but it seems that their high tide has passed. On u.B.I.Q.U.e the minimalism is far too dry to be engaging, and Metropolis only strikes fire at places.
As I'm not an expert of RIO/avant and not necessarily a biggest fan of many of the groups lumped under that rubric, I'm not going to recommend any single work for a beginner. My tastes are far from being align with the average opinion on Gnosis, for example. But I think Art Zoyd are a great band, and there is a good chance that you'll love whichever album you choose. Or at least hate its guts!
For me, Berlin was their last truly great album. But, as others have mentioned here, it's an untypical one - not only due to the amount of vocals, but because of its overall conceptual foundation. Granted AZ - who were for the most part educated musicians with major funding for their projects - had done grand stage concepts before (Le Mariage was composed for and commissioned by none other than renowned French ballet choreographer, director and producer Roland Petit), but Berlin was all their own work yet still had that overt theatrical aim to it. I remember playing this to a friend of mine sometime in the early 90s who was a huge fan of Laibach, Neubauten et al., and he remained calm and quiet for a long while before uttering something like "And here was I thinking ME to be the one with the fucked-up music preferance".
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
One more toot for Marathonnerre - Thierry Zaboitzeff is still with them (Is he the 'Brian Jones' of AZ?)
Oddly enough, this is a band I haven't fully got on board yet, which is odd since I love classical/chamber especially 20th century so much. Maybe its the drummer who missed the bus and didn't show up? Dunno.
So, here it is, hit me with your 3 favorite Zoydian desert-island tracks, and I will go in again with a fully open mind and see if I can get on board. Danke.
In this clip you have Daniel Denis on drumkit - Univers Zero & Art Zoyd live at the "Jazz Pulsation Festival" (1980)
https://www.youtube.com/watch?v=-Hd9M71DGtI
Pretty much agree with this.
Regarding Haxan. Gerard's track (basically side 1) is where he began to get interested in really "cold" sounding music which kind of pointed the direction to where AZ went after and still is at (in my opinion, of course). The second half of Haxan is all Zaboitzeff and I think it's pretty great.
Frankie:
Musique Pour L'Odyssée (1979)
Le Mariage Du Ciel Et De L'Enfer (1985)
Frankie do not miss Phase IV
I guess i'm one of the few that rates Le Mariage Du Ciel Et De L'enfer very highly, probably in my top three with Geration Sans Futur and my favourite Haxan.
"The wind is slowly tearing her apart"
Sad Rain
Anekdoten
I will cheat, because I am choosing 4, but I will tell why
I will pick 2 from Generations Sans Futur
Generations Sans Futur and Diverstissement, as they make 2 extremes, most variation, going from beuty to intense explosion and freedom going to a few minutes of pure beuty!
Migrations - a perfect mix of acoustiv and electronic
Sleep No More - one of the best eletronic compositions
I'm the strange one that prefers mid period Zoyd (Let's say...Le Mariage... to Haxen) more than early period AZ. I also prefer the original recording of Symphonie Pour... so I must really be fucked in the head.
Please don't ask questions, just use google.
Never let good music get in the way of making a profit.
I'm only here to reglaze my bathtub.
I also prefer the original recording of Symphonie
That bone dry mix
that bass
the vibe
Thanks for all of the suggestions. I've been hitting Phase IV and making some headway, although I'm not blown away by any means. This music is like a really good dish but no salt. I will elaborate later on.
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