Wake up to find out that you are the eyes of the world.
Yes, Steven Wilson and echolyn have done it for me this year
District 97,Moetar,Half-Past Four,Persephone's Dream and Bent Knee have all given me all I could want from this unlimited genre.
I can understand some people not liking Steven Wilson's music, but whatever other criticisms could be leveled at it, i can't see how it could ever be called bland.
Subjective...i suppose if you're looking to be barraged with non-stop notes and no space then echolyn and SW are "bland" for example..? - personally i think E and SW are the best bottomline active SONGwriters going today.
They's got some splainin/defending to do...if they want.
Is the OP asking about new music, as in produced in the last few years? Or music that is new to me?
If it is the former, probably a bit less chills than the 70's, but not by a lot.
Magma
Steve Wilson
Wolverine - Communication Lost
Pain of Salvation - Perfect Element, Remedy Lane
Steve Coleman - Functional Arrhythmias, Synovial Joints
Micahael Fromanek - Small Places
Anglagard, Deus ex Machina, Aranis, Yugen.
Have all delivered various amounts of chills.
If it the latter, then I'd say that music that is new to me causes me more chills than the 70's.
And if there were a god, I think it very unlikely that he would have such an uneasy vanity as to be offended by those who doubt His existence - Russell
I still get them from new music, yes. Not nearly as much as when I was in my teens and 20's and ALL music was so new and exciting to me. I think now it's difficult to find something that is so completely new and different to me that it gives me that same excitement. Or maybe it's an age thing, I don't know. I really don't get the same feeling from those old 70's bands that I did in my 20's when I was hearing them for the first 20 or 30 times. They still sound great, but time and familiarity tend to take that excitement away, but still leave appreciation and nostalgia. At least, for me anyway.
But yeah, new music CAN still do that for me and does relatively often. I do agree with the previous poster that I think now I really have to dig into an album for a while to get those moments. Not always, but more often than not these days. That said, the Flower Kings gave me those chills for years, Neal Morse still does (though not his last couple albums so much). Present did that to me at Nearfest, as did Sleepy Time Gorilla Museum. And Banco.......oh my, that first Nearfest performance was one chill after another (of course, they were a 70's band, and were pretty much playing only that music when I saw them, but I'd never heard them before at that point, so to me they were brand new). More recently I would say Beardfish have done that with their last album. Anyway, yeah, it still happens but it's not quite as often or immediate as it was in my youth.
It depends on what is meant with "picking apart". As I understand it that is a process into which goes a detailed analysis of something. Maybe "analysis" is too inteligent a word for it but that's the first one that comes to mind.
With Wilson the thing is that I don't have to try hard enough to see fairly fast what I don't like. And that goes with the fact that I think he's a decent singer and his albums have interesting concepts.
I concur, the same for me.
Dude, this is not about quality of music. This is about our age.
Have you been blown away during your first sex in the 70s?
Does sex reach the heights of your early sex experience?
Seriously: I'm just a half joking.
I can predict my daughter that first heard Porcupine Tree and Ayreon when she was 8-10, will say the same in 40-50 years about them and music in 2040th.
What about the 2015 version of Spectral Mornings? Does that count as new music? Because if so, when I first listened to it I literally did get chills and continue to do so when I listen to it.
This is about both, I think. If temporal fatigue renders you unwilling to discover and submit to the force of "new", then yes - age is a primary factor at that. Speaking as someone who discovered yore music when I was quite young (my general "serious" interest in rock was triggered by artists from a generation before me), I can only say that reaching a point in time when contemporary music once again got wildly exciting (late 80s and on) was the TRUE experience in itself. I certainly hope that if I ever turn 70 I'll still be capable of letting myself submit to what's happening there and then - if it's any good.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.
I love when this happens. Sometimes it happens with albums that are a year or two old which I haven't spun in a while. A perfect example is "Maelstrom" from Stian Westerhus & Pale Horses. I was playing that on the plane a few months back and as the opening track, "Don't Say That You Care," reached its crescendo, I got the full chill effect.
Yes
Aquaserge
Normal Love
Secret Chiefs 3
Nik Bartch's Ronin
Make a Rising
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
Neal Morse...pretty much every release of his has a few spine tingling moments for me. The man still delivers the goods!
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