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Thread: Saw John Fogerty Friday Night

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    Saw John Fogerty Friday Night

    Last week I got a phone call from a friend of mine who had an extra ticket to see John Fogerty at a casino in New Buffalo Michigan and asked me if I was interested in it. I happened to have Friday night off due to it being a company holiday and have always been a casual fan of both CCR and Fogerty so decided to take him up on it. Having never seen Fogerty before and knowing that the man was 70 years old my expectations were not particularly high, but wow was I wrong. The man put on a blistering high energy 2 hour show that totally exceeded my expectations. His band were outstanding and he also had a fairly elaborate production complete with a nice light show, films / digital screen stuff, steam cannons and confetti guns. All in all it was a lot of fun. Fogerty’ s voice is still in very good shape. His band consisted of 2 additional guitarists, keyboards, drums and bass. The only one I recognized for sure was drummer Kenny Aranof who has played with just about everyone over the years. The keyboard player looked familiar to me as well, but I could not place him. One of the guitarists was Fogerty’ s son and he was really good. Everyone in the band were given the chance to stretch out and solo, and with all that guitar power on stage there were plenty of duo and sometimes triple guitar duels. The show was billed as “ John Fogerty 1969”. Prior to the show starting, a 15 minute film ran about the year 1969 with interviews with Fogerty interspersed. CCR released a whopping 3 albums during that year each of which was discussed in the film. Although the set list for the show somewhat concentrated on those 3 albums, he also did material from other CCR albums and his solo career, including a couple of tracks from his most recent album. He had several interesting in between song stories as well with the story of following the Great full Dead at Woodstock in the wee hours of the morning being particularly interesting (and funny). He comes off a little corny at times, but the in between song tales were good for the most part. All in all it was a great night of music and I am so glad I went. I feel like I saw a legend who is still pretty much at the top of his game. Here is the set list:

    BORN ON THE BAYOU
    TRAVELIN BAND
    UP AROUND THE BEND
    WHO’LL STOP THE RAIN
    LOOKIN OUT MY BACK DOOR
    SWEET HITCH-HIKER
    JOY OF MY LIFE
    MIDNIGHT SPECIAL
    KEEP ON CHOOGLIN (included a long jam)
    HEY TONIGHT
    NEW ORLEANS
    LODI
    GREEN RIVER
    GOOD GOLLY MISS MOLLY
    MYSTIC HIGHWAYS
    RAMBLE TAMBLE (great jam on this one too)
    WHOLE LOTTA SHAKIN / ROCKIN PNEUMONIA (snippets on piano when he was talking about his influences)
    LONG AS I CAN SEE THE LIGHT
    HEARD IT THROUGH THE GRAPEVINE (more great jamming)
    HAVE YOU EVER SEEN THE RAIN
    DOWN ON THE CORNER
    CENTERFIELD
    THE OLD MAN DOWN THE ROAD (featuring a great guitar duel with his son)
    FORTUNATE SON

    ENCORE:

    BAD MOON RISING
    PROUD MARY

  2. #2
    Member Ten Thumbs's Avatar
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    Similar impressions for me on seeing him for the first time, on an extra ticket, which was three years ago. Much better guitarist than I anticipated and his voice was good. At one point for me, that he could play three huge songs; Centrefield, Green River and Born On The Bayou back to back to back in the middle of his set was stunning, most mainstream artists don't have three hits near that big. To have those three surrounded by another dozen equally large hits as well as some deeper tracks gave me a better appreciation of JF. The other impression I had was that the presentation was almost too pristine, the band and lighting and presentation were all absolutely professional and A1, but a little sweat and grit would have been a good thing too.
    I remember tomorrow

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    Here is some good footage shot at the show:


  4. #4
    KEEP ON CHOOGLIN (included a long jam)
    One of the highlights of the entire Woodstock festival, IMO. Did JF play harmonica, too?
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    With a set list like that, I know it's a bit of a quibble, but I would have been disappointed at not getting "Run Through the Jungle".

    As for "Grapevine", the version on record is itself a long jam, so I fin d it hard to imagine how he could string it out even longer.

    John Fogerty/CCR are one of those acts where I never particularly wanted to own their recordings but would probably have gone to see live. I don't think they ever came to Oz - I know someone will correct me if I'm wrong. He has been here as a solo performer but at that time I wouldn't have been interested because I never got that much out of his solo stuff.

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    Quote Originally Posted by ronmac View Post
    One of the highlights of the entire Woodstock festival, IMO. Did JF play harmonica, too?
    Yes.

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    Quote Originally Posted by bob_32_116 View Post
    With a set list like that, I know it's a bit of a quibble, but I would have been disappointed at not getting "Run Through the Jungle".

    .
    Agreed, would have like to have heard that one too.

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    Quote Originally Posted by SteveSly View Post
    Agreed, would have like to have heard that one too.
    Perhaps he thought that he had already delivered it by doing "The Old Man Down the Road".

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    PE Member Since 4/9/2002 NeonKnight's Avatar
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    Quote Originally Posted by SteveSly View Post
    Here is some good footage shot at the show:

    I'll have a shot of some that "Highlander" brew Fogerty (and Jeff Beck) are drinking.
    “Where words fail, music speaks.” - Hans Christian Anderson

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    Great show at Mohegan Sun in Connecticut. That's his son to his right. He was a pretty good guitarist as well, but not as clean as John.
    He played 23 songs and not one dud.
    Imagine 47 years on the road, voice and licks are still there and he still has the energy of a much younger guy! I think I'll join a rock band to stay in good health.
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    It is probably hard for young people today to appreciate the significance of Creedence Clearwater Revival. Events that took place 45 years ago are probably barely separated in their minds from those of 50 years ago, yet from 1965 to 1970 there were huge changes taking place. I recall reading that one of the early CCR albums cost about $2000 to make, a tiny sum even in those days, and this was typical of the band's approach - what we today would call "lo-fi". To put that in perspective, Pet Sounds, recorded a few years earlier, was put together on a budget of about $70,000, and between $50,000 and $75,000 was spent recording Good Vibrations alone - just one song. The world had got used to hearing about bands at the cutting edge, such as the Beatles and the Beach Boys, spending enormous amounts on getting the product just the way they wanted.

    Those two bands showed what was possible in the studio, given enough time, effort, and money - and of course talent. What CCR showed was that money wasn't everything - that sometimes less is more. It was possibly a much-needed wake-up call at the time to aspiring musicians, who may have been seduced by albums like Sgt Pepper and Pet Sounds into thinking that making good music - even great music - required enormous amounts of money. It doesn't. What it requires most of all is the ability to write good songs, and to play them.

    Sure, CCR never produced anything like Pet Sounds, but that was hardly the point. There are some parallels between the arrival of CCR on the scene, in about 1969, and the arrival of punk rock, about ten years later.

  12. #12
    ^^ Great post. Beyond that, they even created their own genre: Swamp Music. Not bad for a bunch of Californians.
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    Quote Originally Posted by bob_32_116 View Post
    It is probably hard for young people today to appreciate the significance of Creedence Clearwater Revival. Events that took place 45 years ago are probably barely separated in their minds from those of 50 years ago, yet from 1965 to 1970 there were huge changes taking place. I recall reading that one of the early CCR albums cost about $2000 to make, a tiny sum even in those days, and this was typical of the band's approach - what we today would call "lo-fi". To put that in perspective, Pet Sounds, recorded a few years earlier, was put together on a budget of about $70,000, and between $50,000 and $75,000 was spent recording Good Vibrations alone - just one song. The world had got used to hearing about bands at the cutting edge, such as the Beatles and the Beach Boys, spending enormous amounts on getting the product just the way they wanted.

    Those two bands showed what was possible in the studio, given enough time, effort, and money - and of course talent. What CCR showed was that money wasn't everything - that sometimes less is more. It was possibly a much-needed wake-up call at the time to aspiring musicians, who may have been seduced by albums like Sgt Pepper and Pet Sounds into thinking that making good music - even great music - required enormous amounts of money. It doesn't. What it requires most of all is the ability to write good songs, and to play them.

    Sure, CCR never produced anything like Pet Sounds, but that was hardly the point. There are some parallels between the arrival of CCR on the scene, in about 1969, and the arrival of punk rock, about ten years later.
    Agreed, all good points.

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    I saw him a few years ago (10?) when he just started playing CCR songs again. This was at a company function and most the folks were too young to understand who John was and didn't show up for the show. I wasn't expecting much, and sometimes at corporate events artist tend not to care much either, but boy did he deliver! I was only feet from the stage and it was a real treat. He is not the most charismatic front man, but he gave it everything he had and I walked away completely impressed and happy.

    I had convinced one of my younger coworkers to go to the show, saying: "trust me, you will know a lot of his songs" and that guys till takes about him. Even went to see Creedence Clearwater Revisited, not knowing that John is not part of that.



    Nice to see he still carrying on well.

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    Quote Originally Posted by pbs1902 View Post
    I saw him a few years ago (10?) when he just started playing CCR songs again. This was at a company function and most the folks were too young to understand who John was and didn't show up for the show. I wasn't expecting much, and sometimes at corporate events artist tend not to care much either, but boy did he deliver! I was only feet from the stage and it was a real treat. He is not the most charismatic front man, but he gave it everything he had and I walked away completely impressed and happy.

    I had convinced one of my younger coworkers to go to the show, saying: "trust me, you will know a lot of his songs" and that guys till takes about him. Even went to see Creedence Clearwater Revisited, not knowing that John is not part of that.



    Nice to see he still carrying on well.
    I was happy to see that there were quite a few younger people in the audience at this show. In fact the crowed was very mixed. I was actually expecting a bit older demographic than it was.

  16. #16
    Was he any good?

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    Quote Originally Posted by Rufus View Post
    Was he any good?
    Did you read the review?

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    Can't believe I have not a single album by CCR. I remember my brother had the first album when we were kids. Favorite track is Suzy Q. I love all their radio hits too. Need to get a box set.

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    A box set or "best of" would probably be the way to go with CCR. They didn't evolve all that much over their career.

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    Quote Originally Posted by Vic2012 View Post
    Can't believe I have not a single album by CCR. I remember my brother had the first album when we were kids. Favorite track is Suzy Q. I love all their radio hits too. Need to get a box set.
    Actually, the only album I own is the live one. I do have a couple of Fogerty's solo efforts.

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