Have to admit, the Danes didn’t seem to really “get” prog. A lot of what gets called “prog” is really psych/hippie music, and a lot of stuff that nabs high rankings (Hurdy-Gurdy, Day of Phoenix, Culpeper’s Orchard, Alrune Rod) does absolutely nothing for me. More for fans of the Grateful Dead than stuff like Yes or King Crimson. Though there’s some proto-prog stuff from Denmark that’s first rate. The early Savage Rose stuff, which is along the lines of Procol Harum mixed with the West Coast psych scene (Big Brother, Jefferson Airplane, etc.). They went off in a more psychedelic folk-rock mixed with soul-gospel sound later (which I also liked, but it’s a stretch to call it “prog”), then Thomas and Annisette ditched the rest of the band, sold all their possessions save for a cheap upright piano and moved to Christiania, switching to Danish-language lyrics in the process. Weirdly, the first fruit of this change was Solen var også din, which sounded of all things like Popol Vuh!
Adjacent and very much worth your while is Aftenlandet & Regnbuefuglen, an album of soundtrack music from ex-Savage Rose keyboardist Anders Koppel. It sounds rather like Pekka Pohjola.
Ache have a couple of nice proto-prog records with good organ playing. They did a sort of DSOTM/APP-like concept album (albeit with that usual Nordic depressive feel) called Pictures From Cyclus 7 later on.
One thing Denmark did very well was jazz rock/fusion. Burnin’ Red Ivanhoe started off in the Soft Machine vein, albeit mixed with a sort of blues-rock feel. Apparently it was sax player/organist Karsten Vogel who was largely responsible for the jazzy feel, as he split off to form the excellent fusion group Secret Oyster after the band broke up. Four albums, all worthwhile. There’s also Dr. Dopo Jam, who made three albums in the fusion Zappa vein that are quite superb.
But you’re not going to find much in the way of proggy-prog from Denmark. As close as you’re likely to get are the two albums of rather cheesy classical-rock from Iron Duke. Well, there’s also the concept album from the extremely obscure Akropolis, which I guess is similar to the German school of prog (Novalis, Grobschnitt et al) mixed with Deep Purple (the singer sounds almost EXACTLY like Ian Gillan in places). And later on there was a band called Zaragon, who released a sympho-prog album circa early 80s. I think their album was called No Return. That’s pretty much it.
Bookmarks