I don't find this all too strange, really; I myself have a hard time truly enjoying most Norwegian attempts at 'progressive rock' from the 70s, partly due to the same reasons as yourself, I suppose. I do collect 70s Italian progressive still, probably because it remains somewhat easier for non-natives to spot exactly those elements that actually make them stand out as pretty different from their British counterparts/inspirations. For instance, in my own top-5 list from above, there are the obvious odd marks of influence on both AreA, Picchio dal Pozzo and Stormy Six and Jumbo (or you could add the early Battiato albums, Opus Avantra, Celeste or Pierrot Lunaire's Gudrun), but they all developed into something quite idiosyncratic.
This doesn't necessarily imply that I don't like the more "usual" Italian progressive (or "symphonic") rock groups (Banco, PFM, Le Orme, Locanda delle Fate, Metamorfosi, Museo Rosenbach etc.) as well, but I relate somewhat differently to them. Jethro Tull, King Crimson and Van der Graaf Generator were very big names in Italy in 1971-73, but I see the Italian equivalent as much more of an interpretation than an adaptation. So I can live with the sense of "derivative" nature of much of this music - much more so than I can with many a CURRENT artist purportedly creating 'progressive rock' while actually not creating anything whatsoever except for further more stagnant adaptations.
Bookmarks