Confirmed Bachelors: the dramedy hit of 1883...
I've to recommend another Swedish outfit, Dynamo Bliss. Being a three-piece act, vocally they are equal good as Moon Safari (if not better).
http://dynamobliss.com/album/21st-century-junk
Another suggestion, 10 cc. Strange enough, nobody mentioned them yet.
^^^ The only 10cc song where I really notice the harmonies is "I'm Not In Love" - and I think that's mainly overdubbing rather than real time harmonising (not that there's anything wrong with that).
I love Dynamo Bliss. I even love their equivalent of XTC's Dukes of Stratosphear, State Cows (2 albums with great Becker-Fagen influenced pop-jazz tunes).
But equally as good or better than Moon Safari?? They're very good, but not that good. I also think that Norway's Magic Pie has vocal harmonies that rival Dynamo's.
IMO
"My choice early in life was either to be a piano player in a whorehouse or a politician, and to tell the truth, there's hardly any difference"
President Harry S. Truman
I know; how COULD they have reproduced it? The very wonder of Namesake Caution is its apparency of rawness (like you said), with full-on fake mistakes and everything - and in a genuinely *convincing* manner. Interestingly, there are snippets of "making of..." footage from sessions for both the Sarcast While and Namesake Caution albums, and you can easily see and hear how incredibly calculated everything is, even tiny percussion details, synth effects and flaws. I sometimes wonder if the sheer difficulty of the music's live execution was part of the reason why they decided to call it a day; working your ass off for a year rehearsing meticulous material each and every day and releasing it to sales of 1000 - although perhaps critically rewarding (they received much love in media such as the Village Voice and even NYT), it could never "pay off" in any other sense.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
I love the vocal harmonies on the albums from Altered State, like this one in "Step Into My Groove":
My only album from Moon Safari is "Lover's End" with this killer song: "Heartland":
Peter Gabriel - Mercy Street
"Normal is just the average of extremes" - Gary Lessor
Far cry from CSN&Y but I want to mention The Knells, which is progressive with classical polyphony from soprano, mezzo-soprano and alto voices:
https://theknells.bandcamp.com/releases
Very nice record. The guitarist / composer Andrew McKenna Lee is a bit of a genius, his records Solar/Electric and Gravity & Air are also really worthwhile. No vocals on those though.
Magma - ethereal. The Knells is another good one.
Side note, Scrotum Scissor, this is the second thread I've seen you mention Time of Orchids. Can you recommend something?
Ian Beabout
Mixing and mastering engineer. See ya at ProgDay !
https://cuneiformrecords.bandcamp.co...m/bakers-dozen
https://cuneiformrecords.bandcamp.co...-and-holland-3
colouratura.bandcamp.com
Well, I wrote hundreds of recensions on progressive rock releases (real and "fake" ones) in the period 1997-2011, and I don't think I was ever more pleased with the one I did on ToO's Namesake Caution in 2007. Here was a band, seemingly an "indie" act of sorts, creating extraordinarily quirky and innovative yet wholly listenable reinterpretations of various well known traditions, yet all through their own lens; Brian Wilson, Beefheart, King Crimson, Yes, Butthole Surfers, Shudder to Think, 5UU's or whoever. And their music completely juxtaposed attention to the logics of ordinary components and their functions with that of total dissonance (harmonically, rhythmically), the latter forming the main metric and with static flow reduced to secondary points of release in the patterns of dynamic, every voicing taking an orchestrated role in weblike structures of melody. I honestly never heard anything quite like them neither before nor since, I only know that I soon got to love the band and their entire output. Their material was sincerely powerful yet never exhibitionist, experimental but unpretentious, dreadfully intricate 'though still retaining a core of spontaneity - and both genuinely apocalyptic and humane at the same time. Namesake Caution remains one of my fave rock albums from the last 10-15 years. Sarcast While and Much Too Much Fun were both great as well, alas a little bit different.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Confirmed Bachelors: the dramedy hit of 1883...
Valensia dutch artist.
and
The vocal harmonies on the new Hackett are a bit much for me.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
How about prog with female vocal harmonies? I’m trying to think of an example other than the Northettes, and I’m drawing a blank.
Confirmed Bachelors: the dramedy hit of 1883...
Somebody needs to combine Sardinian cantu a tenore singing with a prog instrumental band. That'd be something.
https://www.youtube.com/results?sear...nores+sardegna
"My choice early in life was either to be a piano player in a whorehouse or a politician, and to tell the truth, there's hardly any difference"
President Harry S. Truman
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