Glad to hEar it
It's a given that brick walled remasters are not part of any discussion about good sound, and as much as one must be careful of the source for contemporary vinyl, the same applies to remastered digital. That said, properly mastered (the Crimson 40ths, for example) new mixes can be a revelation. And they don't have to replace the original mix; rather, they can be considered alternate mixes. In some cases (as with most Crimsons) I prefer the new mixes...but sometime I prefer the original, and the bottom line is most folks doing proper reissues with new mixes also include, on the DVD or Blu Ray at least, the original mix as well.
But one thing I try to avoid is being married to an original mix simply because it's the one I've been used to for many years. If a new mix surpasses the original, I'm good with that, perhaps my best current examples bring Crimson's Lizard & THRAK, XTC's Nonsuch and Drums and Wires, and Yes' Relayer.
And, indeed, mine does
But equally, I've been really enjoying a lot of Mobile Fidelity's SACD Hybrids. Some total gems in there, like one I just picked up, Santana's Caravanserai. It's never sounded like this.
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