The Stix is essential !
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
Listening to it now for the first time but given how much I like the band, plus yours and Udi's recommendation it makes it a pretty much a no brainer for me. I've been planning to place a bandcamp order this weekend anyway for a bunch of stuff so this goes into the list.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
The new track Prungen on Britten Sinfonia is featured as a studio-version on the new album Starfire: https://jagajazzist.bandcamp.com/album/starfire
Last edited by interbellum; 07-10-2015 at 02:53 PM.
there were 2 earlier eps
Day and Animal Chin that I bought after hearing Steve recommend
need to revisit them
Day has 25' of live material from The Stix from 2004, which is why I bought it and why I still play it all the time.
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
What's everybody's thoughts on 'Starfire'? I listened to track one at the bandcamp site and was shocked at how different (for me at least) it sounded. But it was cool - seems electronic/synths taking the center stage more, as well as downplaying the "jazz" thang.
Ian Beabout
Mixing and mastering engineer. See ya at ProgDay !
https://cuneiformrecords.bandcamp.co...m/bakers-dozen
https://cuneiformrecords.bandcamp.co...-and-holland-3
colouratura.bandcamp.com
Absolutely loving Starfire...my album of the year so far I think, along with Mathias Eick's Midwest (and the two albums are worlds apart stylistically). Especially enjoying the two long tracks.
I like Starfire a lot, just a bit less than One Armed Bandit, it is certainly a bit different than earlier material but I think it works.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
I listened to this on my walk yesterday (spot has it). There are moments that are totally wonderful, with some beautiful cross-breeding of the analog and the electronic (and bordering on industrial) worlds. Some truly keen attention to detail - the placement of delays/reverbs gives each sound its own characteristic. I was trying to figure out if the snare drum is "real" or are they using samples in conjunction with the authentic? There was one moment where I think they were using a sampled orchestral pizzicato which sounded...I dunno, contrived, and a bit Velveeta to my ears. But for the most part the sound choices were fine and actually very nice. The non-jazz is actually a positive trait here - its nice that they are willing to let their hair down a bit and (somewhat) abandon their roots, although I have limited knowledge of their past. Mind you that was only one listen.
Jaga has not really ever been a conventional jazz band; until recently, there was not much improvisation, for example. What lumped them into the jazz category was and is the harmonic sophistication. But as my liners to their 20th anniversary box began, paraphrased here art the start of their bio on the ninja tune site):
As for the drums? They were all played by Martin...processed afterwards, but one thing about Jaga is they pretty much always use live drums as a foundation.For those who think they know Jaga Jazzist, the story of this Norwegian supergroup and Starfire - its fifth full-length studio album, hot on the heels of the acclaimed 20th anniversary vinyl box, '94-'14 - begins with a pop quiz:
Jaga Jazzist is:
(a) A jazz band;
(b) A rock band;
(c) A progressive rock band;
(d) A hip hop group;
(e) A rap group;
(f) A reggae group;
(g) A polka band;
(h) A comedy band;
(i) An electronica group;
(j) A classical ensemble;
(k) A choral ensemble;
(l) All of the above;
(m) None of the above.
The answer is, indeed, both (l) and (m) because across two decades Jaga has been all of these things but, at the end of the day, is really none of them. A point made all the more clear with Starfire - which, in some ways, returns to earlier roots while, at the same time, introducing new elements and, as ever, moving forward...always moving forward.
As for letting their hair down? Since most of them are losing it (! ), seriously, I don't think this is the case...you need to check out their earlier records and you'll see they've always bucked convention and fit into many categories without really being in any of them, including jazz.
I can see where it might bug some people, but sampled drums don't bother me in the least. Music is music ... n'at.
Ian Beabout
Mixing and mastering engineer. See ya at ProgDay !
https://cuneiformrecords.bandcamp.co...m/bakers-dozen
https://cuneiformrecords.bandcamp.co...-and-holland-3
colouratura.bandcamp.com
John - thanks for the response. Like I said, I have very little exposure to this group, but this new one sounds pretty different from even One Arm Bandit for me. I do think its pretty hip (for the most part). The drums didn't really bother me - that was more of a question as they had a slightly sampled timbre to them. Good stuff.
You're very welcome.
Yes, Starfire is very different from OAB. One of Jaga's most significant MOs is that every subsequent album must not sound like the one that came before. I think they really did this more than they ever have with Starfire....so unlike the more proggy OAB...and yet they both sound absolutely like nobody but Jaga...which is why I love the band so much....
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