Santana - Abraxas
Camel - Mirage
Harmonium -Si on a sit besoin D'une cinquiene saison
The Magnificent Moodies - Days of future passed (though debut album hardly full blown prog!)
Santana - Abraxas
Camel - Mirage
Harmonium -Si on a sit besoin D'une cinquiene saison
The Magnificent Moodies - Days of future passed (though debut album hardly full blown prog!)
War (w/o Burdon) - All Day Music is much better and more progressive than the s/t
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
Nektar - Tab in the Ocean (yeah, I'll get killed for saying this, but Journey to the Centre of the Eye, while interesting, doesn't do much for me apart for Dream Nebular)
Mothers of Invention - maybe not prog, but the music on Absolutely Free is quite a bit more sophisticated than that of Freak Out
IQ - if you count 7 Stories Into 8 as their first, Tales is so so so much better
Nathan Mahl- The Clever Use Of Shadows
Totally agree with virtually every album cited of which I've heard. While I certainly enjoy both of my examples debuts, they both (imho) really upped their game for their sophomore efforts, so I'll go with:
King's X- Gretchen Goes to Nebraska over Out of the Silent Planet (though Goldilox is one of my faves of theirs) &
District 97- Trouble With Machines over Hybrid Child (the band are in fine form on the debut, I simply favor the songs on TWM).
'The smell of strange colours are heard everywhere'- Threshold
Gong- Camembert Electrique
Radiohead-The Bends
Strawbs- From the Witchwood (if Dragonfly the first album and A & C is live)
The début their best album, IMHO... not a filler in it... II is also quite good, but they never got better than those first two.
their second is Illusion (could've been better).... and Prologue is better than Ashes or anything that comes after.
It would've been had the songwriting not theirs, or there had been exterior songwriters.
Gotta stop this "excusing the gods" for that first misstep, because it suits better revisionism
mmmhhh!!!!....
I find both eras to be a single continuum... It wouldn't occur to me to think of both parts as something else than a single entity.
my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.
Fair to Midland. The Carbon Copy Silver Lining, I honestly have listened to less than 5 times, but inter.funda.stifle is a modern classic.
Check out my solo project prog band, Mutiny in Jonestown at https://mutinyinjonestown.bandcamp.com/
Check out my solo project progressive doom metal band, WytchCrypt at https://wytchcrypt.bandcamp.com/
Voice - Capability Brown
Shine on Brightly - Procol Harum
Second Album - Curved Air
Polite Force - Egg
Abstract Truth - Silver Trees
Raw Material - Time Is
Second Hand - Death May Be Your Santa Claus
Gryphon - Midniight Mushrumps
Interviewer of reprobate ne'er-do-well musicians of the long-haired rock n' roll persuasion at: www.velvetthunder.co.uk and former scribe at Classic Rock Society. Only vaguely aware of anything other than music.
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How on earth were MoI "maybe not prog"? Why are Supersister singing - in December 1969, at the top of their goofy voices - that "[...] sometimes we even are progressive, and we listen with attention to the Mothers of Invention"? Why was the contemporary progressive rock media constantly writing on Zappa/MoI, and the scene so endlessly taken by the phenomenon of Z/MoI? Why were so many acts of a proportionally MUCH more radical musical nature back then than any InsideOut-artist nowadays (Knifeworld notwithstanding) influenced by MoI? When MoI's music already from December '66 ventured far beyond what 99% of UK groups were doing many years down the line, harmonically/rhythmically/structurally/dynamically/instrumentally - then how were MoI "maybe not prog"?
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
I think (since the Neo revisionism of the 80s) there have come to be an unmovable chunk of people who think Prog is only 1. mostly British and 2. only Symph
so that is why Zappa, a true pioneer of Prog, is not deemed worthy of being a Progressive Rock artist.
Keep reading this forum and you'll keep running into that revisionist chunk of people... yeah, I know it is sad, but true
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
Amazing how it's possible for posts to sound shrill, even when they are read back as text.
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
I honestly can't think of a single prog band where I prefer the 2nd album to either the debut or some later album.
Audience - Friend's Friend Friend
Gravy Train - Ballad Of A Peaceful Man
Home - Home
Uriah Heep - Salisbury
Spooky Tooth - Spooky Two
BTW - these were all bands that were considered progressive at the time.
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