Actually I wished I'd never seen. wall.gif
It just ruined the only proggish track of theirs - and even then it was mainly the bombastic intro (which is little more than a masturbation)
Actually I wished I'd never seen. wall.gif
It just ruined the only proggish track of theirs - and even then it was mainly the bombastic intro (which is little more than a masturbation)
my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.
BICYCLE RACE - QUEEN.
i recently listened to the instrumental version which is a bonus track on the 2011 remasters.
without listening to the vocals i was able to focus on the complex music for this track.
it's got all the elements and all compacted in 3 minutes.
I've always loved Jazz... I think of it as Queen's last shot at greatness after the relatively poor ADATR and NFTW
my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.
here's charlie burchill, mel gaynor, derek forbes and mick macneill preempting new artrock by a good twenty years:
Would this be considered prog?
Some prog details:
Length more than 15 minutes
Arranged by Hermann Weindorf, who played with Passport.
Smashing Pumpkins - The Dream Machine
They did this one live and haven't released a studio version, some metal in there but definitely a lot of prog in there too, and the song structure is very prog.
Another one they did live but no studio release is the 30 minute Gossamer:
https://www.youtube.com/watch?v=JVn-_nWUkbY
Frank Black of Pixies also dabbled in some proggy stuff like this one Two Reelers:
Queens of the Stone Age always had some prog elements in some form, I think most prominently displayed on this one, The Fun Machine Took a Shit and Died:
https://www.youtube.com/watch?v=XkS-ySqJx7g
Related, the supergroup Them Crooked Vultures with Josh Homme, John Paul Jones and Dave Grohl, had plenty of prog moments:
Confirmed Bachelors: the dramedy hit of 1883...
You mean the Queen song? Yeah, that one's got a pretty tricky arrangement, which is probalby why they never played the full song live. They played a short bit of it during the medley they did on the 78-79 tour (as heard on Live Killers), but I don't think they've ever played the full song. I'd be curious to know how much of that song was actually written by Freddie. Like did he have all those time changes worked out in advance, or did that come together in the rehearsal room or studio or what.
See, for me it's the other way around. A Day At The Races and News Of The World were both fantastic albums, it was Jazz where it started to slip. I mean, there's some great songs on Jazz, but did the world really need If You Can't Beat Them and Fan It? There's nothing as bad as those two songs any of the earlier Queen albums.
Why am I not surprised to hear an art rock fan say that a blues tune "sucks on toast", whatever the frell that means. I personally think it's a pretty good song, though not quite up to the usual Brian May standards.
Well, the lyrics aren't Freddie's best, obviously, but I think the rest of the song is pretty good. I always dug that bass line and piano during the verses, and of course, you've got that great freak out in the middle, sort of like their version of Whole Lotta Love.and "Get Down Make Love" is insufferable unless you just love everything Freddie Mercury wrote.
Confirmed Bachelors: the dramedy hit of 1883...
Which, by that definition, isn't the "same genre" as the initial one at all. No imagination, no creativity, no eclecticism, little knowledge of or insights as to anything from outside of the box. If the "initial genre" had been this prone to conformity and conservatism, it would have actually outdefined itself and indeed never existed in the first place. Go figure.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
^ Never heard that one before, but it's pretty great. If it's on any of their albums along with "Vahevela" (sp?) and "House At Pooh Corner," I'm going to have to put it on the list. Thanks.
Gary Wright - Dream Weaver (sorry if someone posted a video, but I can't view them at work)
"Normal is just the average of extremes" - Gary Lessor
From the sadly late (1963-2013) Asuka, née Minako Suga. Prog-J-Pop anyone?
Confirmed Bachelors: the dramedy hit of 1883...
this. this. his chiming CP70 was a hallmark of the band’s early/mid period sound and some of the versions on their “live in the city of light” set (1987, already in their sub-U2 stadium rock mode) are nothing short of magical. i am sure that there is a SiMPLE MiNDS appreciation thread somewhere here …
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
… and speaking of the band Boston ~ I recall when that debut album was released. !976/77?? I was not driving quite yet but remember riding to school with a neighborhood friend Billy Gillen, in his Chevrolet Vega (nice looking car), and listening to the release front to back during the ride in. It WAS indeed a nice, clean, and definitely cool signature sound at the time! Cutting my musical teeth, that intro to (Foreplay)>>>Longtime was indeed an ear opener. Good Days Indeed!
Carry On
Chris Buckley
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