I keep seeing references to the influence of these guys on various other musicians, their contributions to other people's records, etc. CSNY-style harmonies can be heard all over Porcupine Tree albums. Crosby and Nash featured on David Gilmour's "On an Island", the current feature CD. I think it's about time CSN&Y had their own thread.
I always liked them, but it's only in the past couple of years that I have really gone back into their catalogue and appreciated just how good they were. I now have the first three albums. They were one of the first "supergroups", if not THE first, and are arguably the most successful, certainly in an artistic sense.
From all accounts, the relationship between the four has been rocky; only Crosby and Nash appear to have remained good mates throughout. Listening to the albums though you would never know it. (A bit like Fleetwood Mac, I suppose.) I used to think that Nash was the most consistent writer, Young the one that showed flashes of brillance, and the others less so - but the more I listen, the more I find they seem to just complement one another, and produce something equal to about twice the sum of its parts.
The first eponymous album had the hits "Marrakesh Express" and "Suite Judy Blue-Eyes", and the second, Deja Vu, the well-known "Our House" and the classic cover of "Woodstock". Some of the lesser-known tracks, however, such as "Guinevere" (from the first album) and Neil Young's "Country Girl" trilogy (from Deja Vu) are equally outstanding. The third album, CSN, seemed to get a bit overlooked at the time - perhaps people were tiring of their sound - but it has some gems as well, notably the Nash-penned "Cathedral" which almost qualifies as an epic, and definitely has a proggy feel.By the time of this album they were starting to experiment with Hispanic or Brazilian influenced sounds - you hear it on songs like "Fair Game" and "Dark Star".
An odd coincidence: I order my CDs in the rack in alphabetical order of artist, and the CS&N eponymous album is right next to a Judy Collins compilation. She, of course, was the blue-eyed Judy to whom the suite was dedicated.
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