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Thread: Guns N' Roses- Yea or Nay?

  1. #51
    W.P.O.D. Dan Marsh's Avatar
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    Appetite through Use Your Illusion - Loved them

    Anything else is crap.

  2. #52
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    Quote Originally Posted by NogbadTheBad View Post
    Your really in denial about Grunge taking off in 91 aren't you. I completely agree that the beginning of grunge was much earlier. It didn't take-off until Pearl Jam - Ten & Nirvana - Nevermind. Guess they don't fit your argument so you'll keep banging on.

    Nice dig about newcomer by the way, tactit little shut up rookie there? Ha.
    Well, as we say in Ireland "If that's true for you, stick with it"

  3. #53
    I'm here for the moosic NogbadTheBad's Avatar
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    Quote Originally Posted by PeterG View Post
    Well, as we say in Ireland "If that's true for you, stick with it"
    As we say in Newcastle "Go fuck yourself"
    Ian

    Host of the Post-Avant Jazzcore Happy Hour on progrock.com
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    Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
    I blame Wynton, what was the question?
    There are only 10 types of people in the World, those who understand binary and those that don't.

  4. #54
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    Quote Originally Posted by NogbadTheBad View Post
    As we say in Newcastle "Go fuck yourself"

  5. #55
    I hated them when they were popular. I don't hate them as much now, but I still don't really like them. Mr. Brownstone is the only song of theirs that I wouldn't turn off if it was on.

  6. #56
    ALL ACCESS Gruno's Avatar
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    Not to interrupt InsultFest '13 with PeterG & NogbadTheBad, but some who were discussing Guns 'N Roses might be interested in this...

    Izzy Stradlin, to me, was a huge force behind GnR. When he left, the band was not the same at all. Izzy was my favorite member of the band. I love his vocals. I haven't been too impressed with his solo work, although his song "Shuffle It All" with the JuJu Hounds is great.

    When Izzy was allowed to sing lead vocals with GnR, it was a nice change. My favorite track he sang is "14 Years". I so wish they would have kept this version instead of what was released on the Illusion disc. This version has an extended jam at the end and includes Axl doing some fun piano work:

    http://www.studiogruno.com/audio/14_Years_alt.mp3

    Any other fans of Izzy?

  7. #57
    Member Vic2012's Avatar
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    I remember the first time I heard Sweet Child Of Mine around 87-88 (or whenever it was) on the radio and immediatley thought that they were a bit of a throwback to the 70s, which I found refreshing. I really liked Slash's playing, and the image was cool too with all the hair and the tophat. But then they just bacame way too visible. For a few years all you ever saw on TV regarding RAWK it was always about Axl Rose and G&R. Even the hits became cliche and overplayed. I think after "Bad To The Bone" by George Thorogood "Welcome To The Jungle" has got to be one of the most overplayed cliches in films and TV shows. Great song with a great hook and killer guitar riffs, but I can probably go the rest of my life without hearing again, and I won't miss it. This is why I've passed on getting A4D.

  8. #58
    Oh No! Bass Solo! klothos's Avatar
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    The general consensus on this thread is that "Appetite for Destruction" is a Rock "Must Have" but GnR's subsequent work is all over the map of opinions ranging from "good, but not Appetite" to "meh- mediocre" to "suck"

    So, somebody explain to me how they have been inducted into the Rock n Roll HoF before Deep Purple or Yes?

    Quote Originally Posted by Gruno View Post
    Izzy Stradlin, to me, was a huge force behind GnR. When he left, the band was not the same at all.
    good point

  9. #59
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    Quote Originally Posted by Gruno View Post
    Not to interrupt InsultFest '13 with PeterG & NogbadTheBad, but some who were discussing Guns 'N Roses might be interested in this...
    See Noggys response in #53

  10. #60
    Quote Originally Posted by NogbadTheBad View Post
    Not where I was living in the UK at that time, they were hard rock/metal. Appetite For Destruction was '87, Grunge didn't take off until '91.
    Yeah. GnR represented the tail end of hair metal. They rocked harder than most of the other popular hair metal bands and were blusier. The critics who did like them emphasized these facets and tended to view them as a then-contemporary heir to the Rolling Stones and Led Zeppelin. They were tougher than most of the other hair metal bands and their popularity crossed over slightly into the grunge era, but they were not "of" the grunge movement, despite some punk influences. Their contemporary comps were Motley Crue and White Lion, not Soundgarden or Screaming Trees.

  11. #61
    ALL ACCESS Gruno's Avatar
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    The Dead Pool

    Quote Originally Posted by Vic2012 View Post
    "Welcome To The Jungle" has got to be one of the most overplayed cliches in films and TV shows. Great song with a great hook and killer guitar riffs, but I can probably go the rest of my life without hearing again, and I won't miss it. This is why I've passed on getting A4D.
    You do realize there are more songs on Appetite For Destruction and it is not just filled with "Welcome To The Jungle", right?

    Speaking of 'Jungle' in films, who remembers Jim Carrey in the Dirty Harry flick, "The Dead Pool", as he mimes the song?



    Guns 'N Roses also appear in the film in a few different scenes:




  12. #62
    Member zravkapt's Avatar
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    Quote Originally Posted by Gruno View Post
    Izzy Stradlin, to me, was a huge force behind GnR. When he left, the band was not the same at all.
    I agree. He wrote or co-wrote almost everything on AFD. Slash and Axl may have been the image of the band, but Izzy was the guy behind their sound. Between the drummer getting fired, Axl's unpredictable stage behaviour and Izzy quitting, this band had no real future.
    The truth will set you free, but first it will piss you off

  13. #63
    Oh No! Bass Solo! klothos's Avatar
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    by the way - THIS is the greatest cover of "Jungle" EVER!!!!!


  14. #64
    Space Cadet
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    Big 'Yea' from me. Chinese Democracy is great too.

  15. #65
    Nay.
    You say Mega Ultra Deluxe Special Limited Edition Extended Autographed 5-LP, 3-CD, 4-DVD, 2-BlueRay, 4-Cassette, five 8-Track, MP4 Download plus Demos, Outtakes, Booklet, T-Shirt and Guitar Pick Gold-Leafed Box Set Version like it's a bad thing...

  16. #66
    Here are 20 facts you may or may not know about this long-delayed and still-controversial release:

    1. The album features five guitarists: Robin Finck, Paul Tobias/Huge, Buckethead, Ron ‘Bumblefoot’ Thal and Richard Fortus. Brian May not included…

    2. Who is Paul Tobias/Huge? “Paul’s just a friend of Axl’s,” guitarist Slash once revealed. “He brought Paul in without telling me [while Slash was still a member of GN'R]. I got really angry, cos the main thing is the band – getting the band together. It’s not like you hire a bunch of session people and make Guns N’ Roses – it doesn’t work like that.” Famous last words!

    3. Caram Costanzo, who has the main production credit alongside Axl Rose, engineered two Stone Temple Pilots albums with Scott Weiland on vocals. Don’t ask him who the better singer is…

    4. Fourteen studios are listed in the album credits.

    5. The album is generally thought to have been started in 1994, the same year that Kurt Cobain killed himself and Nelson Mandela became President of South Africa.


    6. The song This I Love stems from 1993. How it survived, we’ll never know. Sounds like a bad show tune. Diabolical lyrics. Lots of piano and OTT strings. Overblown, over pretentious. Oh dear.


    7. Zakk Wylde playting guitar in GN’R? It nearly happened. Following Gilby Clarke’s departure, in January 1995 the band regrouped for rehearsals with a new candidate for the vacant guitar spot. Zakk came down and “we jammed together for just over a week, we jammed over a whole bunch of shit and came out with three pretty cool ideas. One of the riffs ended up on the first Black Label Society record [Sonic Brew], on the track The Rose Petalled Garden. The stuff that I wanted to do, eventually, would have been like GN’R on steroids, man.” But Zakk was unable to get a straight answer on any commitment from the GN’R camp and gave up on the idea. He said: “I saw Axl [later] and I said: ‘What the fuck happened?” And Axl goes: ‘Well Zakk, I heard to wanted two million up front and your own tourbus.”

    8. Shortly after the release of Chinese Democracy Axl called up uber-producer Bob Ezrin and asked him to tell him what he thought of the album. Bob told Axl he had just three good songs…


    9. On January 13, 2006, Axl visited Korn’s tour launch party at the Hollywood Forever Cemetery and gave his first comments to the press in over three years. “People will hear [new GN'R} music this year," he predicted confidently. "We're working on 32 songs, and 26 are nearly done." Rolling Stone reported that among Rose's favourites were Better, There Was A Time and The Blues.

    10. On June 18, 2008, a website called Antiquiet ran a story under the headline: 'We've Got Chinese Democracy And It"s Worth The Wait.' The site offered nine illegal tracks from the album. The man behind the leaks, Kevin 'Skwerl' Cogill, was later arrested.

    11. Cogill got away with something of a light tap on the wrist. He was sentenced to two months of home confinement and must allow his computers to be searched by the government. This comes on top of being sentenced to a year of probation by a Los Angeles court. During sentencing, Cogill said: “I never intended to hurt the artist, I intended to promote the artist because I’m a fan.”

    12. Former Gunner Gilby Clarke had his two cents on Chinese Democracy: “I listened to it on a long drive to Phoenix, Arizona. I think it’s very good and very imaginative. Axl’s vocals sound great and there’s some creative guitar playing on it also. But there was too many slow-to-midtempo songs on it for my taste and some of the solos are a little overdone; they don’t match the song. Some of the lyrics are a little redundant. I expected some resolution since it’s taken so long.”


    13. The direction of Chinese Democracy became apparent when dance-rock supremo Moby entered into talks with Axl in February 1997. Moby said: “They’re writing with a lot of loops, and believe it or not, they’re doing it better than anybody I’ve heard lately.” One of the demos Moby might’ve been presented with was the work-in-progress track, Oh My God. “Musically the song was primarily written by Paul Huge [in 1997],” Axl said later, “with Dizzy Reed writing the musical hook of the chorus. Former member Duff McKagan as well as former employee Matt Sorum failed to see its potential and showed no interest in exploring, let alone recording the piece.”


    14. On May Day 1998, Geffen Records officially acknowledged the departure of Slash and Duff from GN’R and Axl made a deal with Geffen “to deliver that new studio LP… no later than March 1, 1999” for which he would receive “a substantial advance from Geffen in return.” Of course, it didn’t happen.

    15. In summer 1998 producer Youth (the former Killing Joke bassist, riding high after producing U2 and the Verve) was brought in. Youth tried to focus Axl on making new music, jamming in Axl’s kitchen on acoustic guitars, just to get him to sing again: “He hadn’t been singing for around 18 months,” Youth said later. “I think the record had turned into a real labour. He was stuck and didn’t know how to proceed, so he was avoiding it.” Frustrated, Youth eventually gave up on the GN’R production chores.

    16. In late November 1999, Axl Rose played nearly a dozen tracks from the album for Rolling Stone, who reported: “Imagine Led Zeppelin’s Physical Graffiti remixed by Beck and Trent Reznor, and you’ll have some sense of Axl’s new sound…”

    17. A version of Chinese Democracy was completed and ready to be released in 2000; however, when producer Roy Thomas Baker was hired, he decided everything (reported to be up to 30 songs) needed re-recording.

    18. On September 23, 2006, Axl threw a party at his mansion after playing KROQ’s Inland Invasion and played the full album in his pool room to guests, including Sebastian Bach. “It’s a very cool album,” said Bach. “There’s this one song called Sorry that’s almost like doom metal with Axl singing really clean over this grinding, slow beat that is fucking mean. I cannot get it out of my head.”

    19. When Chinese Democracy finally came out, ex-drummer Matt Sorum wondered if Axl had taken his revenge, because on the sleeve Sorum is listed only as an ‘additional musician’. “Additional musician?!” snorted Sorum. “Suddenly I’m the tambourine player.”

    20. In Classic Rock‘s review of Chinese Democracy, writer Jon Hotten concluded: “This record is the sound of no one saying no to Axl Rose for 14 years. It may never be as loved as Appetite For Destruction but decades from now people will still assemble around it and stare up at its baroque facade, confident that we won’t see its like too often.” If at all…

  17. #67
    Member nosebone's Avatar
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    This record is the sound of no one saying no to Axl Rose for 14 years.

    I like that one!
    no tunes, no dynamics, no nosebone

  18. #68
    I'm here for the moosic NogbadTheBad's Avatar
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    Quote Originally Posted by PeterG View Post
    Well, as we say in Ireland "If that's true for you, stick with it"
    Quote Originally Posted by NogbadTheBad View Post
    As we say in Newcastle "Go fuck yourself"
    Quote Originally Posted by PeterG View Post
    We're just having fun with this
    Ian

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    There are only 10 types of people in the World, those who understand binary and those that don't.

  19. #69
    I'm here for the moosic NogbadTheBad's Avatar
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    Quote Originally Posted by klothos View Post
    So, somebody explain to me how they have been inducted into the Rock n Roll HoF before Deep Purple or Yes?
    I think we all know the answe to this, The RRHOF is a clueless mess.

    Quote Originally Posted by Facelift View Post
    Yeah. GnR represented the tail end of hair metal. They rocked harder than most of the other popular hair metal bands and were blusier. The critics who did like them emphasized these facets and tended to view them as a then-contemporary heir to the Rolling Stones and Led Zeppelin. They were tougher than most of the other hair metal bands and their popularity crossed over slightly into the grunge era, but they were not "of" the grunge movement, despite some punk influences. Their contemporary comps were Motley Crue and White Lion, not Soundgarden or Screaming Trees.
    Pretty much my view of it.
    Ian

    Host of the Post-Avant Jazzcore Happy Hour on progrock.com
    https://podcasts.progrock.com/post-a...re-happy-hour/

    Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
    I blame Wynton, what was the question?
    There are only 10 types of people in the World, those who understand binary and those that don't.

  20. #70
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    Don't mind the debut (though not something I listen to much) but after that, forget it. They became that sort of bloated, bellowing stadium rock I can't be doing with.

  21. #71
    ALL ACCESS Gruno's Avatar
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    Quote Originally Posted by Rufus View Post

    13. ...Former member Duff McKagan as well as former employee Matt Sorum failed to see its potential and showed no interest in exploring, let alone recording the piece.”

    19. When Chinese Democracy finally came out, ex-drummer Matt Sorum wondered if Axl had taken his revenge, because on the sleeve Sorum is listed only as an ‘additional musician’. “Additional musician?!” snorted Sorum. “Suddenly I’m the tambourine player.”
    I sort of love the dig that Axl takes with his play on words. Seems to have worked as Sorum felt jilted. I actually like Sorum.

  22. #72
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    NAY!

  23. #73
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    Check out what Slash,Duff McKagen and Matt Sorum are doing now. https://www.youtube.com/watch?featur...&v=MuFpIj-STLM

  24. #74
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    ^^^ Good cover version! Is that Glenn Hughes fronting them?

    As far as the thread topic, I've got to vote "nay" on GNR. I was 21 in '88 so many friends had the A4D record. I heard it a lot and didn't mind it, but never could get into it either.

    I admit I liked Sweet Child when it first came out, as another poster stated, it was sort of a refreshing take on '70s rock. But I got pretty sick of it quickly. A few years later I think Pearl Jam was much more successful in combining a '70s influence and contemporary hard rock.

  25. #75
    You could put their best songs on a CD-R & fill about 30 mins worth!

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