Yeah, I thought Casey did a great job, and really liked how he and Neal blended together. Even Portnoy's vocals are good on this record.
Yeah, I thought Casey did a great job, and really liked how he and Neal blended together. Even Portnoy's vocals are good on this record.
Music isn't about chops, or even about talent - it's about sound and the way that sound communicates to people. Mike Keneally
Actually "acquired" might be the problem. I've been familiar with him for almost 10 years. His voice is colorless and his writing is hopelessly mediocre. His band Alpha Rev, who's debut album was on Hollywood Records, had an ungodly sum of major label money spent on it at Top 40 radio, was managed by some of the Music Industry's biggest domos, was touted on VH1's "You Oughta Know" program, and still managed to completely bomb in sales.
Last edited by progmeister; 04-21-2013 at 08:50 PM.
My mistake of using the "progressive" word in this reply. Their is music is nowhere Progressive. The fact I wanted to emphasized was that their music did nothing for me, and remembe that is my opinion. In fact, if you go to the Dutch Progressive Rock forum, there was a round table review (RTR) and it was not recommended. So I'm not alone in this appreciation.
I just hope this one is not limited to death.
tough crowd
no tunes, no dynamics, no nosebone
I totally get why people don't like it - and it was my album of the year for 2012. The harmonic riches come in some of their note choices - the pre-chorus to "Blue Ocean" being a prime example, where the notes in those chords just have a color that surprises my ears - and as for what moves someone or doesn't, hey, none of us can control that. But it sure as hell moved me....
I love the music (I'd read the pre-release press and wasn't surprised it wasn't "prog"), but I simply can't listen to more than about 3 songs without listening fatigue. I wish it wasn't so, believe me.
Has anyone here heard the version that Neal put out via his Inner Circle thing? Any word on whether that one had more dynamic range/less limiting?
Indeed, Michael Brauer did a shite job of mixing. The drums, especially, sound bad.
I REALLY hope someone like Rich Mouser mixes the second effort.
I get the Inner Circle discs and this one ([i]Island Of The Lost Keyboards[/i) is pretty good. It's subtitled "Neal's Mix" so keep in mind you're hearing a lot of the bits that were mixed out of the official release. It's better sound, yes, but it's not the same mix. I haven't heard any complaints about it (these releases are not widespread so usually the only place to read opinions on them is the IC forum itself). Another IC release was Not For Flying Colors which features the songs Neal brought to the table that were not used.
Interviewer of reprobate ne'er-do-well musicians of the long-haired rock n' roll persuasion at: www.velvetthunder.co.uk and former scribe at Classic Rock Society. Only vaguely aware of anything other than music.
*** Join me in the Garden of Delights for 3 hours of tune-spinning... every Saturday at 5pm EST on Deep Nuggets radio! www.deepnuggets.com ***
I certainly can understand why some folks aren't enthralled with this album, but for me it's a real triumph. I love the diversity, the poppy prog approach with such musical prowess. Infinite Fire could be a Transatlantic track, a few others could be Jellyfish tracks, some alt. rockers in there, good singer-songwriter pieces, it's a great diverse package.
I personally am very happy with Casey at the lead vox position, I think he's a good wild card addition. Portnoy found him, btw. I think his Alpha Rev band is decent, too. Yes, they could have gone with many other choices, some of which might have been better or worse, but this is what they chose and I think it really works.
Looking forward to #2!
Did the tunes not used on FC end up on Momentum? If not, I suppose some of the material could ned up on the new TA, unless material once released to the IC is not re-visited.
The official Flying Colors website isn't quite so clear:
Originally Posted by Casey McPhersonOriginally Posted by Mike PortnoyOriginally Posted by FlyingColorsWebsiteI was expecting something a lot more "proggy" than the album based on the pre-release hype I'd seen; that said, it's an enjoyable album and I enjoyed seeing the band live (thanks to Garion's generosity).Originally Posted by FlyingColorsWebsite
Whilst it:s my least favourite album from any project involving either Morse or Portnoy it was still a good album. I shall defo be buying FC2!
I love Systematic Chaos (well, most of it). "Repentance" is my favourite DT song ever, and I love the "Presence Of Enemies" split epic. I don't like "The Dark Eternal Night" at ALL though. There's usually one track on each DT album that I don't care for.
Now, Adrenaline Mob? Blech.
Interviewer of reprobate ne'er-do-well musicians of the long-haired rock n' roll persuasion at: www.velvetthunder.co.uk and former scribe at Classic Rock Society. Only vaguely aware of anything other than music.
*** Join me in the Garden of Delights for 3 hours of tune-spinning... every Saturday at 5pm EST on Deep Nuggets radio! www.deepnuggets.com ***
howdy folks! sean suggested i pop by to the website and say hi. (sean and i go way back.) i'm glad people are excited for the new album. and yes, it's definitely happening. we're all really excited about it. the release is a ways off because even after finishing the album, our label will need to find a good release window during the year for it. (our label is awesome, by the way. when you buy our albums, we actually do get paid!)
i hope people enjoy our upcoming concert bluray/dvd/cd release…look for it in late summer. i just received the final mix yesterday, and jerry will have it mastered by the end of the month.
in terms of whether the album is progressive…i think most of you have it nailed. i'm very sorry to have disappointed someone looking for more something more proggy.
when i originally started putting the project together, my interest was in what i was calling "progressive pop." my influences were bands like kansas (with short proggy-pop kerry livgren songs like "carry on wayward son"), peter-collins era rush, pet-sounds-era brian wilson, steve more era kansas, spock's beard's snow album, and king's x. pretty specific, actually. everyone from those bands either ended up being involved, or was on-board at one time. the one thing i was never able to find was the right pop singer/songwriter. i wanted someone with pop charisma to take all this complex music and put it in a form that non-prog people could relate to. looked at over 100 with peter collins, but nothing. later, mike suggested casey…he was perfect. casey was on disney's hollywood records label (with miley cyrus, the jonus brothers, etc.) but was also an amazing songwriter. mike is amazing like that. mike is amazing like many things…the fact that he's a drummer is almost secondary. with casey, remember that he isn't just one of the singers for the band, he's also a songwriter.
thanks for listening,
bill
Bill, given how you described what you were after, I think you nailed it.
Good luck with the coming sessions.
Music isn't about chops, or even about talent - it's about sound and the way that sound communicates to people. Mike Keneally
Who's Bill ?
Bill's credited as "Executive Producer" of Flying Colors' debut, but as you can tell from his post, he had a lot more to do with it than that.
Music isn't about chops, or even about talent - it's about sound and the way that sound communicates to people. Mike Keneally
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