Kind of the usual stuff we've all seen, but it's pretty funny, and I haven't seen this kind of stuff in the NY Times before:
http://www.nytimes.com/2013/03/31/ar...?smid=pl-share
Kind of the usual stuff we've all seen, but it's pretty funny, and I haven't seen this kind of stuff in the NY Times before:
http://www.nytimes.com/2013/03/31/ar...?smid=pl-share
Looking at those album covers reminded me...
When I first saw the Steve Vai album "Flex-able," I thought for sure he was some local guitarist who shelled out maybe ten grand to put out an album on a label run out of his father's home... the cover was just THAT amateurish.
When I found out who Vai actually WAS, the album cover's wretchedness made even less sense.
From what I understand, he was pretty broke at the time he put it out, and probably couldn't afford a better cover. He didn't have a band of his own, and the Flex-able material consisted of several years of home recordings he had done on an eight-track reel-to-reel, with contributions from various other Zappa sidemen he'd befriended. He credits its slow-but-steady sales with keeping his head above water financially.
Funny, I've always liked the Flex-Able cover. I like the idea of the rubber guitar. And I think it's a nice painting. Nothing at all amateurish about it to me.
When I think of an amateurish album covers, I think more of something like 90125 (though obviously that's not metal). It looks like it was main on somebody's home computer...which I believe is exactly how it was rendered.
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