my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.
Airplane, CJ & the Fish, Grateful Dead, Santana, The Who, J. Sebastian (and the Lovin S.), Tim Hardin, Melanie, The Incredible String Band, CCR, Sly, The Band, CSN&Y, Butterfield, Hendrix.
Today I'm long since fed up with some of these, but that's also the case with many a "prog" band of the 70s that I discovered coming off the heel of 60s rock. And pretty much of the latter has surprisingly proven far more enduring than stagnant rock/pop of following decades. Of course, being adolescent in the 80s and basically being exposed to past musics as a gesture of purely "retro" antics, meant that none of these acts were ever my contemporaries. Somehow Twisted Sister, Modern Talking, Yngwie, Thompson Twins or Bruce S. never really got under my skin that deeply. Always wondered why.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Listened to and still listen to
Woodstock 69:
Santana
Grateful Dead
Credence Clearwater Revival
Janis Joplin
Sly and the Family Stone
The Who
Jefferson Airplane
Joe Cocker
The Band
Johnny Winter
Crosby Stills Nash and Young
Paul Butterfield
Jimi Hendrix
Woodstock 94: Listened to and still listen to.
Blues Traveler
Kings X
Sheryl Crow
3
The Orb
Orbital
Joe Cocker
Cypress Hill
Rollins Band
Crosby Stills and Nash
Nine Inch Nails
Metallica
Aerosmith
The Band
Primus
The Allman Brothers Band
Traffic
Bob Dylan
Red Hot Chili Peppers
Peter Gabriel
Paul Rodgers
Santana
Wooodstock 99:
The String Cheese Incident
moe
Sheryl Crow
Bruce Hornsby
Metallica
3
Red Hot Chili Peppers
Last edited by Wah3; 01-19-2019 at 07:40 PM.
I've said this elsewhere, but Woodstock was a one-time event that captured a particular era, both historically and musically. You can't replicate something like that. It's like a bad movie sequel.
"And your little sister's immaculate virginity wings away on the bony shoulders of a young horse named George who stole surreptitiously into her geography revision."
Occasional musical musings on https://darkelffile.blogspot.com/
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
All excellent, but I have to say that IMO Who's Next arbuably remains one of the greatest r&r albums of all time - and that's '71. Nowadays I get more mileage out of that than I do from most anything by Stones or LZ or even many a FabFour record. There's just something essentially sad, deeply intelligent and historically telling about a tune like "Song Is Over" - like an entire intimate novel within that simple imagery of words.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
I still listen to Creedence, Santana, Who, Mountain, Hendrix and Jefferson Airplane. In fact I just googled Melanie just last week and listened to a few of her tunes. I think about he only decade that I mostly ignore is the 1990's - but not all. I got into bands with horns in that decade, because most of the music was... Well, not for me. Kind of like today.
I got nothin' :
...avoiding any implication that I have ever entertained a cognizant thought.
live samples:
https://www.youtube.com/watch?v=fwbCFGbAtFc
https://youtu.be/AEE5OZXJioE
https://soundcloud.com/yodelgoat/yod...om-a-live-show
https://www.youtube.com/watch?v=KUe3YhCjy6g
https://www.youtube.com/watch?v=-VOCJokzL_s
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
^^^^^^
I wonder if Daltrey still hopes he dies before he gets old. My dad used to get so pissed when I played that song... "Yeah, lets see how the idiot feels about that in 20 years..."
I haven't heard if he's ever addressed that little bit of shortsightedness (if it is indeed shortsighted).
I got nothin' :
...avoiding any implication that I have ever entertained a cognizant thought.
live samples:
https://www.youtube.com/watch?v=fwbCFGbAtFc
https://youtu.be/AEE5OZXJioE
https://soundcloud.com/yodelgoat/yod...om-a-live-show
https://www.youtube.com/watch?v=KUe3YhCjy6g
https://www.youtube.com/watch?v=-VOCJokzL_s
^^^^^^
Daltrey was just the singer; it’s Pete’s words.
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
^ Additionally there's that tiny argument of "rhetorical speech" - or, as it often is, getting "in character".
Although Townshend most definitely was trying to express a general point alive with many a youngster of the post-war generation.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
OK, I'll play for the other festivals
Woodstock 94: Listened to and still listen to.
Blues Traveler (first album, mainly/only >> spinned it two weeks ago)
Aerosmith (70's albums mainly)
The Allman Brothers Band
Traffic (70's albums mainly)
Red Hot Chili Peppers (90's albums mainly)
Peter Gabriel
Santana
Wooodstock 99:
Red Hot Chili Peppers (90's albums mainly)
Who's Next (including the bonus tracks from Lifehouse), Quadrophenia and Who Are You
===================
what strikes me that the line-up of the 94 edition was only one stage, when most of the Eurpean big festivals already had either two (or sometimes three) stages at the time.
my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.
Live at Leeds is a monster.
I have a very soft spot for the Who Sell Out. Criminally underrated.
Tommy, Who's Next, Quadrophenia is a trilogy that none can beat. To me they were the greatest rock'n'roll band of all time.
I was a big fan of the film , saw it a zillion times and I had all the time the triple vinyl with me and forced it on everybody to listen to . I knew even the announcements by heart. I saw in 79 in Germany a 10 ten year revival big indoor festival with from memory Arlo Guthrie , Richie Havens among others, a total rip off . Nowadays I feel kind of strange to have cheeply run after every big concert and festival in the 70s to see and hear music in bad condition. A lot of my hearing problems come from this time. From memory Michael Wadleigh had already sold the rights to WB before the festival even started. This was so completely We're only in it for the money. I still listen to most of the bands/ musicians especially Hendrix CSN&Y , Jefferson Airplane, Grateful Dead
Dieter Moebius : "Art people like things they don’t understand!"
“Pleasure and pain can be experienced simultaneously,” she said, gently massaging my back as we listened to her Coldplay CD.
Wow! I don't why I'm surprised but I am, that so many of you still listen to so much of this stuff.
As for live, I saw Canned Heat at Sweden Rock Festival in 2014. Not my cup of tea at all.
The only two decent bands to play at the original Woodstock were CSN, The Who and Ten Years After.
I hope I am very wrong but I have a bad feeling about this event. There will most likely be political groups using it as a platform, or indoctrination camp, or proving ground, where violence will have many opportunities to occur. For some reason, I get the feeling this is going to be more of an Altamont than a Woodstock. (meaning: tragedy) I truly hope that I am wrong.
"Why is it when these great Prog guys get together, they always want to make a Journey album?"
- fiberman, 7/5/2015
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