Agreed.
Their better albums, for me, are the ones that lean more towards melody than "bunch of notes."
Music isn't about chops, or even about talent - it's about sound and the way that sound communicates to people. Mike Keneally
Another new track; Paralysed.
Sounds like a good combination of heaviness and melody to me
https://www.youtube.com/watch?v=C7m7...st=WL&index=21
the animation in the new video for Paralyzed reminds me a ton of the intro/credits for HBO's WESTWORLD.
the song is okay, not as good as Fall Into the Light, but I need to listen to it more.
"Arf." -- Frank Zappa, "Beauty Knows No Pain" (live version)
New interview recorded in December with JP & JLB
https://www.youtube.com/watch?v=ilIFuCe7TuY
John Myung speaks about recording his bass and tone. The interviewer is not brave enough to ask him if we could actually hear the bass on the new album
https://www.youtube.com/watch?v=qI-i...&index=10&t=0s
Death inspires me like a dog inspires a rabbit
Music isn't about chops, or even about talent - it's about sound and the way that sound communicates to people. Mike Keneally
Big fan of Six Degrees and Dramatic Turn of Events. I have huge doubts about the new one. I might not even listen to it.
i like three tracks Room 137, S2N, and At Wit's End...the rest...completely SHELVED.
Mine is on its way to me, from what I've heard I'm hoping for the best. Its amazing how DT fans can listen to the same album and come out with wildly differing opinions as if they were listening to completely different music.
Good interview with JP here:
https://www.youtube.com/watch?v=daf8VzPApak
They wanted Silent Lucidity...
They got "Youuuuuuuu Not Meeeeeeeeeee"
Death inspires me like a dog inspires a rabbit
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Mind you, 'Anna Lee' is one of my favourite Dream Theater songs, so go figure... I'd much rather listen to Falling Into Infinity than quite a few of their other albums.
After the epic rubbishness of The Astonishing, I'm cautiously optimistic that this new one might be a return to form - but I've not really enjoyed them wholeheartedly since Portnoy left, despite trying my best. Indeed, I haven't really liked any album since Octavarium (and the Score live album).
My first impressions on Distance Over Time are disappointing.
I'm not going to be demanding and compare it with the classics, but it doesn't even come close with their previous efforts.
Dream Theater (2013) had memorable moments, a combination of catchy prog songs, a ballad and an epic.
With The Astonishing at least they tried something different, it has its moments even though the duration of the album is too long.
In Distance Over time nothing stands out, i can't find many memorable moments.
Petrucci and the production totally overshadows everyone and everything.
I think it's time they did some radical changes. Maybe get Portnoy back and a new producer to keep the balance between the musicians and give them some new vibes..
For me, it's by far the best of the four post-Portnoy albums, and perhaps better than the last one with him as well. I find memorable melodies all throughout, and I often have that middle section of Fall Into The Light running through my head. Different tastes I suppose!
Interviewer of reprobate ne'er-do-well musicians of the long-haired rock n' roll persuasion at: www.velvetthunder.co.uk and former scribe at Classic Rock Society. Only vaguely aware of anything other than music.
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