Branca has passed away from throat cancer at the age of 69:
https://www.billboard.com/articles/n...nn-branca-dead
Branca has passed away from throat cancer at the age of 69:
https://www.billboard.com/articles/n...nn-branca-dead
Last edited by Dan Roth; 05-15-2018 at 10:05 PM.
Yeah, man.
I as a HUGE fan back in the day.
I saw him in 2010 in DC and he was still really great.
Last edited by Steve F.; 05-14-2018 at 06:34 PM.
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
FUCK YOU TOO, COSMOS
That blows. Never had (or sadly, seized) an opportunity to see the man but enjoyed his work. RIP.
If you're actually reading this then chances are you already have my last album but if NOT and you're curious:
https://battema.bandcamp.com/
Also, Ephemeral Sun: it's a thing and we like making things that might be your thing: https://ephemeralsun.bandcamp.com
That is sad, I know we use the term 'original' quite loosely round here, but he truly was an original. I love it when experimental music actually sounds great - and his was awesome.
Saw Branca and friends at The Kitchen(NYC),circa 1982.This composition is what was indelibly etched in my memory from that evening,along with Branca's super animated conducting.
RIP.
Last edited by walt; 05-15-2018 at 05:13 AM.
"please do not understand me too quickly"-andre gide
Sorry to hear this. Rest in peace.
We're trying to build a monument to show that we were here
It won't be visible through the air
And there won't be any shade to cool the monument to prove that we were here. - Gene Parsons, 1973
Bummer. Which of his Symphonies is the Entry Symphony ?
RIP
The only work I own from him are 2 or 3 tracks on the soundtrack for The Belly of an Architect, which is mostly composed by Wim Mertens.
I just got this email from a friend. I wasn't a fan but thought it was interesting a musician would give a 50 guitar concert.
----------------
"I remember enthusiastically playing his music for you in Japan. More recently I grew to dislike him and much of his music altogether. Still, hearing he died was like hearing an old friend died. I listened to his “symphonies” a lot in graduate school. I’d have his music on while making kanji flashcards and doing Japanese homework. No one I ever met liked his music, save for a guitarist-composer I knew indirectly in college.
When the world-famous Kronos Quartet came to KU one year, I met privately with the lead violinist, David Harrington, whom I had met several years prior in high school when I did a small feature on Kronos for our high school TV news program. I asked if he had ever heard Branca’s music, and he said no but he had heard of Branca and was very interested to hear his music. So I gave him a tape of Branca’s Third Symphony, backed with some compositions by that guitarist-composer named Craig. Years later Branca wrote a string quartet for Kronos. I can honestly say I was the one who introduced Kronos to Branca’s music.
Though I rarely listen to Branca’s music anymore, I’m still impressed by the sounds he got out of his homemade instruments and electric guitars."
----------------
(I'd say the same thing he wrote at the end.)
Sad news indeed. My (perhaps personal mythic) impression is that he was a true original guided only by his inner muse and without regard to fame or fortune.
P.S. Thank you dear God for your perfect divine plan which includes throat cancer, childhood leukemia, hideous birth defects and all the other wonders of your creation.
We remember Glenn Branca who sounded his last overtone on May 13. We go back to an episode of Totally Wired in the Echoes Podcast. https://wp.me/p4ZE0X-dVX
I remember reading an article about him in Keyboard magazine in the late 80's. I had actually already knew who he was from reading about him in Guitar World and Guitar Player (though, actually, it wasn't until much much later that I actually got hear his music). Anyway, apparently, there was a point in the 80's where he was starting to develop tinnitus, from the high decibel volume levels needed for his guitar symphonies. Apparently, when you have like 50 or whatever guitars going at tinnitus inducing volume levels, psychoacoustic phenomena occur that don't happen when you play at reasonable volume levels. If I remember correctly, Rhys Chatham's work from that era is predicated on the same principle.
Anyhow, so being concerned about his hearing, Branca started looking for ways to get similar at lower volume levels. One of these, I believe, involved a harpsichord, with a pickup on the "wrong" side of the bridge. So when you play a note, instead of hearing the normal sound of a harpsichord, you just get the harmonics from the other side of the bridge, which I gather gave him a sound close to what he got from having all those guitars going at triple forte volume.
I have the understanding, though, he later went back to the high decibel stuff.
Bookmarks