So now that the entire ECM catalog is up and streaming on iTunes, Spotify, etc...anyone care to list their 10 ten?
TIA
best
Michael
So now that the entire ECM catalog is up and streaming on iTunes, Spotify, etc...anyone care to list their 10 ten?
TIA
best
Michael
If it ain't acousmatique-It's crap
I'll play. Doing 10 is hard for me. It leaves out about 75 other albums I want to list. So I only allowed one album per artist, and since the Tibbetts release is actually a re-release, I did 11. It also helped to not over-think it and just list ones that popped immediately into my head. Most are what I would consider to be "usual suspects."
In no particular order:
John Abercrombie - Timeless
Terje Rypdal - Odyssey
Pat Metheny - Bright Size Life
Chick Corea - Return To Forever
Jan Garbarek / Bobo Stenson Quartet - Witchi-Tai-To
Bill Connors - Theme To The Guardian
Keith Jarrett - The Survivor’s Suite
Steve Reich - Music For 18 Musicians
Steve Tibbetts - Yr
Marc Johnson - Bass Desires
Julian Priester Pepo Mtoto - Love Love
But of course, there's a ton of other releases by Rypdal, Towner, Abercrombie, Garbarek, Tibbetts, Phillips, Jarrett, Weber, Codona, Double Image, Gismonti, Liebman, etc., that could go on the list.
Here is some recommendations from New York Times: https://www.nytimes.com/2017/11/17/a...ing-guide.html
My progressive music site: https://pienemmatpurot.com/ Reviews in English: https://pienemmatpurot.com/in-english/
Miciah- with maybe one exception, you chose what i would choose. :-) (Marc Johnson being the only one I am not familiar with.). I might take Barre Phillips first ECM disc instead.
I also just got a new ECM, by Michael Mantler and featuring Magma ex-vocalist Himiko Paganotti on vocals- How It Is- a remarkable album of arts songs.
I'm not lazy. I just work so fast I'm always done.
Off the top of my head and in no order:
Ralph Towner - Solstice
Pat Metheny - 80/81
Jimmy Giuffre 3 - 1961
Jan Garbarek - Afric Pepperbird
Eberhard Weber - Yellow Fields
Nick Bartsch’s Ronin - Live (2012)
Tomasz Stanko - Leosia
Kenny Wheeler - Around Six
Edward Vesala - Lumi
Keith Jarrett - Belonging
Michael Mantlers The Hapless Child And Other Inscrutable Stories: https://open.spotify.com/album/6zJRA2J37Sz1Fsbo4FpLP7
My progressive music site: https://pienemmatpurot.com/ Reviews in English: https://pienemmatpurot.com/in-english/
Most of the ECM titles (at least on Spotify) seem to be "watermarked" with Universal's reprehensible audible digital watermark. Heinous crime.
Will be checking this out, I only have a few ECM albums so it seems like its time to explore.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
Without looking at the record collection the ones that come to mind are:
Art Lande/Jan Garbarek - Red Lanta
Steve Reich - Music for Large Ensemble/Octet/Violin Phase
Keith Jarrett - Hymns/Spheres
Ralph Towner - Solstice
Eberhard Weber - The Colours of Chloe
Terje Rypdal - Waves
Pat Metheny Group - s/t
Steve Kuhn - Non Fiction
Thomas Stronen - Time is a Blind Guide
Mathias Eick - Midwest
A crazy amount of incredible music on this label!
Matt.
I'm not doing the streaming but keep those top ten lists coming!
I don't like country music, but I don't mean to denigrate those who do. And for the people who like country music, denigrate means 'put down.'- Bob Newhart
How about a top 10 not currently available on CD? That's what I'd look for on a streaming service.
For example: Ralph Towner-Old Friends New Friends, John Abercrombie-Characters, New Directions in Europe, etc...
Rypdal - Waves
Rypdal, Vitous, DeJohnette - Rypdal, Vitous, DeJohnette
Oregon - Oregon
Oregon - Crossing
There's a good explanation here: https://www.mattmontag.com/music/uni...ible-watermark
Listen to a couple minutes of any Chick Corea or Keith Jarrett piano performance and you'll hear it quite clearly. It's been true of classical titles from Decca, Philips, Deutsche Grammophon, Archiv & L'Oiseau-Lyre for some time. Drives me batty. For such impeccably recorded music its like defacement of fine paintings.
I've heard relatively little of the overall catalogue but:
Eberhard Weber- The Colors Of Chloe, Yellow Fields
Pat Metheny- Pat Metheny Group, As Falls Wichita...
Keith Jarrett- The Koln Concert
Ralph Towner- Solstice
Jan Garbarek- Witchi Tai To
John Abercrombie- Timeless
Chick Corea- Return To Forever
Rypdal/Dejohnette/Vitous
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
To track where a pirate acquired the music. Good idea horribly implemented. It's been done to AM/FM radio signals for a long time to help ratings systems track listenership, but I've never noticed it there.
Once you get attuned to it, you can hear it in the streaming versions of the Moody Blues, early Gentle Giant, etc. Pretty much anybody on a label currently owned by Universal.
With the importance of fidelity to ECM, it's crazy to me that people there signed off on it.
A lot of John Coltrane too. It's a shame. Only good news is that I've been noticing it less often in new releases of the last couple years (for instance, a lot of the Rolling Stones catalog is watermarked, but as far as I can tell the mono box set they did recently is not).
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
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“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
So will purchased downloads feature it or not?
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
I've heard suggestions that a lot of the complaints about streaming audio quality from Spotify, Tidal, etc. are actually people hearing the Universal label watermarking as a compression artifact.
The watermarking is constant, randomized audio scrambling in .08 second intervals at a bandwidth that lies in the hot spot of music content. Really destructive stuff. It exists independently of sample rate and bit rate. When such a huge swath of culturally prominent music is compromised, one could easily be fooled into thinking that's just what Spotify, Tidal and Qobuz sound like.
It's not just streaming either. When I was working in radio, they started putting it on promo CD's too.
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