Like all Cheer-Accident recordings, it's deeply eccentric [...] It has something in common with what is often called "outsider music", but that doesn't really describe it either - usually "outsider music" either sounds like nothing else at all, or like a very odd and idiosyncratic take on roots music
I never really thought of the parallel to outsider music, but now that you mention it - I sometimes get a very peculiar reference to R. Stevie Moore's pop formula from some of C-A's own takes on the song-form.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
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