I really love Tormato, of course its a step down from the previous albums but still has a lot of good music on there. On The Silent Wings Of Freedom is pretty awesome, and the opening double header of Future Times/Rejoice is excellent.
I really love Tormato, of course its a step down from the previous albums but still has a lot of good music on there. On The Silent Wings Of Freedom is pretty awesome, and the opening double header of Future Times/Rejoice is excellent.
I've read that Steven Wilson is not doing any more remixes of Yes albums after "Topographic" because the multi-track tapes for the other albums are missing. In any case a remix of "Tormato" would improve the sound quality. However, the album does not have the great songs that the other albums (from "TYA" through "GFTO") have. One more thing; "Tormato" has the worst album cover this side of ELP's "Love Beach".
Tormato is the exact moment I ran into the arms of Punk and didn't look back until Spock's Beard came along. I despised it so much. "Onward" was the only track I liked. Fast forward to a couple years ago and I decided to replace all my vinyl and purchased a used copy (in excellent shape) and upon listening to it I had a couple thoughts:
1) Howe and Wakeman sound like they're fighting each other to see who can play the most notes. Annoying.
2) Squire's bass effects sound awfully dated.
3) The production is lousy.
4) "Circus Of Heaven" might be the worst song ever written.
5) Aside from all that, I actually really like it.
It was, in fact, a missed opportunity. The band was flirting with a very cool concept: an updated Yes sound, informed by all the new music coming out at the time but staying true to who Yes was. It almost worked too.
The Prog Corner
^Not that you'd know that from Yesshows, which picked all the short songs.
I will say I softened to Tormato in light of my chronological ramble through the catalogue before Fly From Here came out.
that and the Ten True Summers 1979 tour combined had to be the longest Yes toured (I suppose the Relayer/Solos tour were close) with a setlist
it's a good tour to collect live recordings of, lots of FM and soundboards. lots of variety compared to say, the GFTO tour which remained pretty much the same throughout
all shows start the same until after the medley; after that there are a combination of Tormato tracks in and out, removed and added. hearing them do Release, Release and Arriving UFO is a real treat. only handfuls of each. Madrigal and Silent Wings were more often (with Madrigal sometimes split and bookending Howe's solo spot) while Future Times/Rejoice and Circus of Heaven being played early on all nights; Don't Kill the Whale 65% or so. Onward being the only one not played on that tour . . . and Abilene being played just once (!) with that tape sadly not being circulated
repertoire tracks also came in and out in the second half of the set; Awaken, both Parallels and Going for the One a few times only, and Close to the Edge being played once only in Toronto which most excellently, was a request!
(looks like ForgottenYesterday. com may be down)
Tormato: THE TOUR: My first time seeing YES live. MSG Sept 6th? '78....Life-changing to say the least.
THE ALBUM: The beginning of the rapid ending of a once great band....like stated above, some very good songs, the rest, horrible!!!!
So, do you guys pronounce it Tor-MAY-toe or Tor-MAH-toe, or just about right?
Yes, it was great, wasn't it. I was already a huge Yes fan. The show was on April 16, 1979 in Ottawa. To see my musical heroes was a dream come true. I stood at the front of the line at my local record store, seats right near the stage. It was so great seeing each member up close as the Round turned, with Jon in the middle of the stage. I wish I could relive those two hours!
Last edited by mozo-pg; 08-18-2016 at 01:04 PM.
JA talked about this being a time of low energy. Exactly what did he mean? I would think they would be pretty up after GftO. Would it be from touring or did he mean just bad material? If that were the case, would they not pull back and try to come up with better songs or did the record label contract dictate things? Just plain ran out of good ideas?
The older I get, the better I was.
I finally made it up to the summit of Yes Tor on Dartmoor this summer. Its pretty easy to get to too, just follow the signs for the army camp out of Okehampton. Make sure the army aren't using it as a firing range though!
Good question, actually. I've always pronounced it Tor-MAH-toe, (even though I pronounce Tomato Toe-MAY-toe), but actually I've always thought the title, in addition to referencing Tors, and Tomatoes also referenced Tornadoes. So I should have been pronouncing it Tor-MAY-toe since I pronounce Tornado Tor-NAY-doe.
My brain hurts!
I've read an interview with Rick where he said that, post-Tormato, only he and Jon were turning up at the studio; the other three had an air of "couldn't be arsed", so he and Jon just ended up going to the pub and getting pissed.
Of course, next thing you know, it's Rick and Jon that are out and the other three soldier on with new recruits...
I heard an interview with Jon when Tormato was released and Jon sounded very excited about the band at the time. It was their tenth anniversary hence the "ten True Summers Long" and he had mentioned that they had enough material to make 2 albums at the time. Rick seemed happy about the direction of the band and the tour as many have stated here was tight and energetic. Some of their best shows ever. Next thing that happened was Jon and Rick split and the Drama lineup was formed. I just don't think this was an album made by a band that was in it's death throes at the time. Many here seem to think so. When the Drama lineup toured I remember Chris saying he saw an end to the band before and with the new lineup he didn't see an end in sight. Wow, this band could never seem to keep it together.
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