I've been on a Tull kick of late(this doesn't normally happen until the Autumn months) but I digress. I can't help but notice the extreme lack of not only Mellotron, but also 12 string acoustic. The latter is very odd in that they incorporated a lot of acoustic instrumentation due to a strong foundation in folk idioms. I never did understand why a great many have lumped them into to the symphonic prog category. I know of two instances where a mellotron was used. The first being "Witches Promise", and the second being the intro to, "Cross Eyed Mary". Are there any other examples that you Tull aficionados can provide. In addition, I have yet to find an example of a 12-string acoustic being used. Thanks for the help.
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