I know it when I hear it.
I know it when I hear it.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
What you've described is prog in general: a catchall term for a set of micro-genres, some of which don't have much in common, but which have related ancestries, related artistic philosophies, and which appeal to many of the same fans. RIO/avant is just a particularly uncompromising version of it. And it has the odd fractal property of being a subset of prog in general and having a tighter stylistic focus, yet still being equally undefinable.
Last edited by Baribrotzer; 05-23-2016 at 01:22 AM.
Experimental, quoting nothing that has gone before. New, different, instinctive, raw, ridiculously simple or terribly complex. No references. Accidental. In many cases Un-intentional.
Thats all I got.
Edit: let me add that personally I don't believe avant garde is really a type of prog at all.
Last edited by Nijinsky Hind; 05-23-2016 at 01:44 AM.
Still alive and well...
Oh.... and a lot of luck if it actually sticks to the wall. Heres avant garde that worked for me. Just because it has a trumpet doesn't make it jazz... Or does it?
Last edited by Nijinsky Hind; 05-23-2016 at 01:33 AM.
Still alive and well...
Oh, believe me - I know it more than well enough. But perhaps you don't know too much of what has happened in both jazz and (what was once understood as) progressive rock only these past 10 years? About which locations and regions that have seen not a "resurgence" but a complete revolution of approaches, aesthetics and theory, also culturally speaking - and which names and waves that have influenced it? Oh, and don't bother to ask the traditionalists - they are just as obviously still encaptured by what gives their own identites sufficient confirmation and meaning. 'Cause after all, it was never about the music itself, was it?
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.
The music the record companies didn't want you to hear.
It's what I call all the stuff I don't like.
Ian Beabout
Mixing and mastering engineer. See ya at ProgDay !
https://cuneiformrecords.bandcamp.co...m/bakers-dozen
https://cuneiformrecords.bandcamp.co...-and-holland-3
colouratura.bandcamp.com
According to ProgArchives.
Avant-prog is generally considered to be more extreme and 'difficult' than other forms of progressive rock, though these terms are naturally subjective and open to interpretation. Common elements that may or may not be displayed by specific avant-prog artists include:
- Regular use of dissonance and atonality.
- Extremely complex and unpredictable song arrangements.
- Free or experimental improvisation.
- Fusion of disparate musical genres.
- Polyrhythms and highly complex time signatures.
Most avant-prog artists are highly unique and eclectic in sound and consequently tend to resist easy comparisons. However, Frank Zappa is often cited as a major influence on many avant-prog artists due to his early adoption of avant-garde and experimental attitudes within a predominantly rock/jazz context.
And if there were a god, I think it very unlikely that he would have such an uneasy vanity as to be offended by those who doubt His existence - Russell
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
How would you describe Hot Rats?
As per PA:
According to ProgArchives.
Avant-prog is generally considered to be more extreme and 'difficult' than other forms of progressive rock, though these terms are naturally subjective and open to interpretation. Common elements that may or may not be displayed by specific avant-prog artists include:
- Regular use of dissonance and atonality.
- Extremely complex and unpredictable song arrangements.
- Free or experimental improvisation.
- Fusion of disparate musical genres.
- Polyrhythms and highly complex time signatures.
Most avant-prog artists are highly unique and eclectic in sound and consequently tend to resist easy comparisons. However, Frank Zappa is often cited as a major is often cited as a major influence on many avant-prog artists due to his early adoption of avant-garde and experimental attitudes within a predominantly rock/jazz context.
Thank you Simon Moon!
Last edited by StevegSr; 05-23-2016 at 06:00 PM.
To be or not to be? That is the point. - Harry Nilsson.
While Zappa was clearly an innovator and experimental, he was also very structured, composition oriented, and linear. his "sound" may have been avant garde but his "songs" dont seem to be. The def. says jazz rock and I do agree with that. And he fits neatly into the prog genre. Add a cartoon sountrack speeded up a bit and voila! More prog or art rock than many avant garde artists.
Still alive and well...
Someone here said Avant Garde is french for advance guard, and when you think about it, it's very true. Many of the genres (besides pop perhaps) were born from the avant garde... Prog, psych, punk, the blues, even new wave. All had pretty avant garde origins if you trace them back... Much classical was avant garde at inception.. Mozart, bartok.
So sometimes an experiment or style that seems unlikely to move us catches on, is distilled, and eventually becomes mainstream due to its assimilation into popular culture or an endless line of copycats.
Then we tag it with a catchy genre name.
Maybe avant garde would be best described as the mother of all genres
Last edited by Nijinsky Hind; 05-23-2016 at 07:26 PM.
Still alive and well...
Frank is usually thrown into a category of his own, because he doesn't fit into any other box at all: Uncle Meat was avant-prog before there was such a thing as prog; he loved playing extended blues guitar solos over a pedal point or vamp; he also loved R&B and Fifties rock 'n roll; much of his material included rude, juvenile humor; and a distressing amount of it consisted of little else. Sometimes he's put together with Beefheart, since the two shared musicians and seem to have had a certain amount of influence on one another, but that's about it for pigeonholing him.
Last edited by StevegSr; 05-24-2016 at 05:22 PM.
To be or not to be? That is the point. - Harry Nilsson.
My exposure to RIO is limited so I tend to stay out of threads concerning it...but even based on this, I wouldn't say Hot Rats was RIO. It's a pretty conventional album for Zappa.
Maybe the other 60s Mothers albums would fit the bill better.
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