Supernatural Fairy Tales had a VERY idiosyncratic track list. But in the end, I'm forever grateful for that because that's how I discovered Wigwam.
Supernatural Fairy Tales had a VERY idiosyncratic track list. But in the end, I'm forever grateful for that because that's how I discovered Wigwam.
Radar Love fits on every compilation, I must have it on 4 or 5.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
Rhino were a smaller label then.
The thinking was doubtless that such acts were jazz or jazz-rock rather than what has come to be known as progressive rock...rightly or wrongly. It might have been neat to have something like 'Meeting Of The Spirits' instead of the more or less straight-up hard rock of 'Radar Love', I guess.
It's not a bad collection but I recall one of the Yes tracks was incorrectly named, so there were some QC issues. I still have my box set though and was pleased to see something like this released in the days when Prog was a word only whispered in dark corners.
Doesn't matter whether it's a major label or not. If, say they want to use a recording owned by another label (or whoever owns the licensing rights to the music they want to use), they have to pay billable hours to negotiate a license. That's the way it works.
When the Viva Santana double CD came out in the mid 80's (on CBS), they included the version of Soul Sacrifice from Woodstock, which they had to license from Atlantic, because Atlantic was the label who released the Woodstock album. Something like the Woodstock albums probably wouldn't happen today, just because of the headaches trying to negotiate all the legal paperwork to get that many bands, all on different labels, each with a different manager, different publishing company, etc. The billable hours would be through the roof.
I've a CD compilation called The Real Birth Of a Fusion that includes Mike Runs The Voodoo Down and a bunch of other great tunes. I found it years ago in a second hand shop but it's quite a cool introduction for a novice.
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Relics technically wasn't a compilation as we now know it, but rather a collection of the A & B sides of the singles and EPs.
^Well, no, it isn't 'a collection of the A & B sides of the singles'. Not all of the singles are on it, and a few album tracks are. They never had an EP in the UK in the first place.
I have it on Supernatural Fairy Tales and also on this poorly-named comp.: https://www.discogs.com/Various-Heav...elease/1624466
The missing singles are 'Candy And A Current Bun', 'Apples And Oranges', 'It Would Be So Nice' and 'Point Me At The Sky'. The first two were widely available on the now-deleted 3cd of Piper...The latter two haven't had a stand alone CD release, I don't think.
To be honest I think such a compilation, with 'Embryo'/'Biding My Time' added (and 'Vegetable Man'/'Scream Thy Last Scream' if they were feeling generous!), would make far more sense than Relics, as a true companion to their albums.
Last edited by JJ88; 05-25-2016 at 05:57 PM.
Yes, it's stating the bleedin' obvious, really. I've got a double CD hits of the 60s compilation somewhere without a single Beatles or Rolling Stones track on it. Now, I'm pretty sure the compiler didn't leave them off for reason of being not representative of the 1960s. If you ever see a Beatles track on a compilation, it's usually a Tony Sheridan track, with Sheridan getting a distinct second billing.
Nektar's "Through the Ears" is a nice comp, but, really, they're a pretty tough band to capture on only two discs.
"The White Zone is for loading and unloading only. If you got to load or unload go to the White Zone!"
Nektar's Retrospektive: 1969-1980 is a decent comp as well.
I don't like country music, but I don't mean to denigrate those who do. And for the people who like country music, denigrate means 'put down.'- Bob Newhart
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