Page 15 of 15 FirstFirst 123456789101112131415
Results 351 to 368 of 368

Thread: The Ever-Expanding Gear Thread

  1. #351
    Orange Tick Squasher Buddhabreath's Avatar
    Join Date
    Dec 2015
    Location
    Divided Snakes of America
    Posts
    1,094
    ^^^
    I'll have to look up the Fishman - not familiar. I hesitated for many moons due to the expense of the handsonic but I feel now it is worth it - it's very flexible, has some great sounds and has the response and playability to make it a serious instrument IMO.
    The combined fortunes of the world's 26 richest individuals reached $1.4 trillion last year — the same amount as the total wealth of the 3.8 billion poorest people.

  2. #352
    Member
    Join Date
    Nov 2012
    Location
    Ningbo, China
    Posts
    494
    Q: Does anyone have any opinions or experience with the Roland GR-55 Guitar Synth? I've been pondering this as the next possible addition.
    Yes, I do, though I don't actually own one. It's a remarkable instrument as long as you respect the limitations of guitar synthesis in terms of its basic physics and remember that once you introduce synth sounds to the mix you're no longer simply playing the guitar. Playing lots of fast, staccato picking on a string sounds with a slow attack time, for example, is never going to sound like anything other than a complete sonic mush. I recall the sounds from the synth engine being most impressive, however, though I'm not a programmer, so I'm not sure how easy it would be to create your own. My only real objection to Roland guitar synths in general however, is that pig-ugly and ridiculously large lump of an adaptor you have to fit to your guitar (assuming you don't have one that has these electronics built-in) to access the synth itself. Surely if there was any piece of gear deserving of a re-design in light of technological progress in recent year's it's that.

  3. #353
    Orange Tick Squasher Buddhabreath's Avatar
    Join Date
    Dec 2015
    Location
    Divided Snakes of America
    Posts
    1,094
    Quote Originally Posted by kid_runningfox View Post
    Yes, I do, though I don't actually own one. It's a remarkable instrument as long as you respect the limitations of guitar synthesis in terms of its basic physics and remember that once you introduce synth sounds to the mix you're no longer simply playing the guitar. Playing lots of fast, staccato picking on a string sounds with a slow attack time, for example, is never going to sound like anything other than a complete sonic mush. I recall the sounds from the synth engine being most impressive, however, though I'm not a programmer, so I'm not sure how easy it would be to create your own. My only real objection to Roland guitar synths in general however, is that pig-ugly and ridiculously large lump of an adaptor you have to fit to your guitar (assuming you don't have one that has these electronics built-in) to access the synth itself. Surely if there was any piece of gear deserving of a re-design in light of technological progress in recent year's it's that.
    Thanks for the feedback. Yep I don't like that adapter and was even thinking of getting a Godin compatible guitar as the only electric I have right now is a variax - although that might be a sonically wild combination...
    The combined fortunes of the world's 26 richest individuals reached $1.4 trillion last year — the same amount as the total wealth of the 3.8 billion poorest people.

  4. #354
    PE Member Since 4/9/2002 NeonKnight's Avatar
    Join Date
    Nov 2012
    Location
    West Milford NJ
    Posts
    172
    So my collection is nothing like the impressive stockpiles some of you guys have shared.

    Guitar wise, until just last year: Yamaha Classical CG40 , Fender Strat and Carvin SC90 (Les Paul knockoff).

    I had started with the classical and had never owned a true acoustic, looking to plug that hole, but also wanted something I could plug-in easily.

    So after scoring a mini-windfall because I discovered a little website called unclaimed funds-an interesting sidetrack story I won't bore you all with the details of, other then to say everyone should at least give the site a try just in case you might have a little treasure trove out there somewheres....I used part of my score ($600) for this:

    Ibanez Artcore Expressionist AG95



    I could not be more thrilled with the way this baby performs and looks. Photo does not really do it justice, and yes it is a lefty.

    I watched quite a few YT videos on the guitar before I took the plunge, and it was time well spent. To be able to just pick this guitar up and play it without plugging in, is just divine.

    Kind of jury rigged my old acoustic case for it, but it works well. Just thought someone who might have an extra $5-600 around looking for a true affordable hollow body might be interested....
    “Where words fail, music speaks.” - Hans Christian Anderson

  5. #355
    Occipital Provocatee Plasmatopia's Avatar
    Join Date
    Nov 2012
    Location
    Plague Sanctuary, Vermont
    Posts
    1,020
    That looks awesome. I've always wanted a guitar like that.
    Just sitting at home rocking back and forth and jealously caressing my invisible collection of theoretical assets.

  6. #356
    Member
    Join Date
    Nov 2012
    Location
    Ningbo, China
    Posts
    494
    Quote Originally Posted by NeonKnight View Post
    Ibanez Artcore Expressionist AG95

    That's a lovely guitar, man - congrats!!

  7. #357
    So a couple of gear updates. First off, I just bought this off of Reverb...

    gzsw0rwf2jqwm0wmncvv.jpg

    It's an early 90s Fender PB acoustic/Electric (PBAC). I love my custom Muckelroy Fretless, but there's a part of me that misses the good old Fender vibe. This has that, but also adds the piezo pickup, the one thing I've never tried on a bass, fretless or otherwise. This bass has had the piezo electronics upgraded with a Walter Harley PZP-1 preamp/buffer, which I think will be better than the stock electronics by a long shot. Apparently the bass is very clean for an early 90s model, and has no tummy cut, which oddly I prefer as I play the 51 Precision model and generally prefer Telecatsers feel to Strats, though my main guitar is a Strat.

    Anyway, this is an experiment. I have no idea if it will displace the Muckelroy or just be an augmentation, but I saw this and just had to have it. At just under $1,000, I think I can largely get my money back if I decide to sell. It comes Thursday, and I'm chomping at the bit.

    The other gear-related item is strings. The new PBAC is strung with tapewounds, which I generally dislike. So I was looking around for a flatwound substitute, and stumbled on the Ernie Ball 2814 Slinky Cobalt flats:

    https://tinyurl.com/y8cdqavf

    I bought a set intending them for the PBAC, but I couldn't resist and threw them on my Muckelroy. Holy crap, definitely the brightest set of flats I've ever encountered! I lost almost no "mwaw," and gained tremendously in presence and focus. I'm really digging these strings, particularly for fretless. I don't think I'd put them on my 51 P which I have strung with Fender flats and the bass sounds and feels great; the EBs are too bright for what I want from this bass. But these work really well if you want to roll off some brightness, overtones, and finger noise of rounds but don't want to sacrifice too much tone. Need to hear them with the band, but in my practice room, they sounded great today.

    Now I just need to get another set for the PBAC.

    Bill

  8. #358
    Member
    Join Date
    Nov 2012
    Location
    Ningbo, China
    Posts
    494
    Just picked this up, which I absolutely DID NOT NEED from Ebay, but I thought it looked nice and it was absurdly cheap. Allparts alder body, Warmoth neck, DiMarzio pickups, Kahler trem (locking nut not fitted, but included in the case). It needs a set-up, but it has a lovely, fat lump of a neck, which is the antithesis of most of my Ibanez's necks, so makes a nice change. I also ordered a custom set of Bare Knuckle Nailbomb pickups to drop into it (DiMarzios are fine, but BK's are in another league), which should arrive in about 10 days:

    s-l1600.jpg

    I'm also planning on selling my Ibanez Lukather whilst I'm at home over the summer, and giving my partsbin Thinline Telecaster to a friend who owned it before me. Finally, just because I appear to have more money than sense, it's also my intention to pick up a decent quality secondhand acoustic in the UK over the summer and take it back to China in September. At the moment, a used Gibson J50 still seems to be the preferred option, though if I can find one I can afford, I'd rather buy something from a British luthier.

  9. #359
    Orange Tick Squasher Buddhabreath's Avatar
    Join Date
    Dec 2015
    Location
    Divided Snakes of America
    Posts
    1,094
    My latest acquisition.

    Kora 1513e (2).jpg

    Built to order from Kumbengo Koras in Colorado. it is an excellent instrument with a big beautiful warm mellow sound. It wasn't cheap but I'm very pleased with the results - rock solid build. I'm hoping to eventually incorporate this into recordings and experiment with alternate tunings. It also has a pickup to enable further experimentation and mischief.

    Edit: forgot, after finally giving up on finding the matching 12-string for my Washbrun Woodstock, I also picked up a Takamine GJ72CE 12-string acoustic electric and I'm very happy with it. Plays great, intonation excellent and at ~$650 it is an amazing value.
    Last edited by Buddhabreath; 07-26-2018 at 03:54 PM.
    The combined fortunes of the world's 26 richest individuals reached $1.4 trillion last year — the same amount as the total wealth of the 3.8 billion poorest people.

  10. #360
    Occipital Provocatee Plasmatopia's Avatar
    Join Date
    Nov 2012
    Location
    Plague Sanctuary, Vermont
    Posts
    1,020
    Quote Originally Posted by Sputnik View Post
    So a couple of gear updates. First off, I just bought this off of Reverb...

    gzsw0rwf2jqwm0wmncvv.jpg

    It's an early 90s Fender PB acoustic/Electric (PBAC). I love my custom Muckelroy Fretless, but there's a part of me that misses the good old Fender vibe. This has that, but also adds the piezo pickup, the one thing I've never tried on a bass, fretless or otherwise. This bass has had the piezo electronics upgraded with a Walter Harley PZP-1 preamp/buffer, which I think will be better than the stock electronics by a long shot. Apparently the bass is very clean for an early 90s model, and has no tummy cut, which oddly I prefer as I play the 51 Precision model and generally prefer Telecatsers feel to Strats, though my main guitar is a Strat.

    Anyway, this is an experiment. I have no idea if it will displace the Muckelroy or just be an augmentation, but I saw this and just had to have it. At just under $1,000, I think I can largely get my money back if I decide to sell. It comes Thursday, and I'm chomping at the bit.

    The other gear-related item is strings. The new PBAC is strung with tapewounds, which I generally dislike. So I was looking around for a flatwound substitute, and stumbled on the Ernie Ball 2814 Slinky Cobalt flats:

    https://tinyurl.com/y8cdqavf

    I bought a set intending them for the PBAC, but I couldn't resist and threw them on my Muckelroy. Holy crap, definitely the brightest set of flats I've ever encountered! I lost almost no "mwaw," and gained tremendously in presence and focus. I'm really digging these strings, particularly for fretless. I don't think I'd put them on my 51 P which I have strung with Fender flats and the bass sounds and feels great; the EBs are too bright for what I want from this bass. But these work really well if you want to roll off some brightness, overtones, and finger noise of rounds but don't want to sacrifice too much tone. Need to hear them with the band, but in my practice room, they sounded great today.

    Now I just need to get another set for the PBAC.

    Bill

    Very cool!

    My latest acquisitions have been smaller. I should be receiving a Sennheiser E602 II microphone today. I plan to use it for mic'ing my bass cabinet for recording purposes.

    I also bought a DBX AFS2 feedback suppressor. We've used it in the band room and at one gig so far. I had struggled EQ-ing my bandmates' vocals. It was always muddy no matter how much bass and low mids I tried to cut out of his channel. While using the AFS2 I can turn the mics up much higher without them feeding back. Just backing off from the mic a few inches drastically reduces the proximity effect and eliminates the mud. Also, my friend does not have a loud singing voice, so he's no longer struggling to hear himself or trying to push too hard.
    Last edited by Plasmatopia; 07-26-2018 at 03:59 PM.
    Just sitting at home rocking back and forth and jealously caressing my invisible collection of theoretical assets.

  11. #361
    Member Top Cat's Avatar
    Join Date
    Mar 2018
    Location
    N of Clearwater, Florida
    Posts
    790
    Just picked up this Warm Audio WA76 limiter/compressor from Sweetwater last month.. haven't had time to test it yet, but soon, very very soon.
    Heck, I could just sit here and look at it for hours...lol
    WA76-0_1.jpg (click for larger image)

    (I don't have an image hosting site to upload to or from)
    Soundcloud page: Open Window, musical meanderings https://soundcloud.com/precipice

  12. #362
    Occipital Provocatee Plasmatopia's Avatar
    Join Date
    Nov 2012
    Location
    Plague Sanctuary, Vermont
    Posts
    1,020
    Quote Originally Posted by Top Cat View Post
    Just picked up this Warm Audio WA76 limiter/compressor from Sweetwater last month.. haven't had time to test it yet, but soon, very very soon.
    Heck, I could just sit here and look at it for hours...lol
    WA76-0_1.jpg (click for larger image)

    (I don't have an image hosting site to upload to or from)
    Let us know what you think. I've had that in my Sweetwater wish list for months.
    Just sitting at home rocking back and forth and jealously caressing my invisible collection of theoretical assets.

  13. #363
    Member Gizmotron's Avatar
    Join Date
    Aug 2014
    Location
    Southwest
    Posts
    766
    Quote Originally Posted by Buddhabreath View Post
    My latest acquisition.

    Kora 1513e (2).jpg

    Built to order from Kumbengo Koras in Colorado. it is an excellent instrument with a big beautiful warm mellow sound. It wasn't cheap but I'm very pleased with the results - rock solid build. I'm hoping to eventually incorporate this into recordings and experiment with alternate tunings. It also has a pickup to enable further experimentation and mischief.

    Edit: forgot, after finally giving up on finding the matching 12-string for my Washbrun Woodstock, I also picked up a Takamine GJ72CE 12-string acoustic electric and I'm very happy with it. Plays great, intonation excellent and at ~$650 it is an amazing value.
    WOW! Koras are amazing instruments! I have always always wanted to add it to my collection of non-western instruments. Congrats, B-Breath!

  14. #364
    Member Top Cat's Avatar
    Join Date
    Mar 2018
    Location
    N of Clearwater, Florida
    Posts
    790
    Quote Originally Posted by Plasmatopia View Post
    Let us know what you think. I've had that in my Sweetwater wish list for months.
    I'll do that, but after exhausted research I think it's going to be a winner.
    I'm in the process of re-organizing my home studio, and going with a analog/hybrid setup. I picked up a Tascam 308B 8 channel mixer to use with my Fostex A8L/R
    and plan to do both digital(Cubase) and my analog. If the least I use the mixer because I love the warmth I get from it(no noticeable noise) and run it into my Focusrite audio interface.
    I recently picked up a used Lexicon PCM80 multi effects rack and am trying to run as much hardware as I can out of the box...

    I love vintage gear, and I think if they put a VU meter on my electric toothbrush I would gladly pay an extra hundred for it..

    Will let you know my thoughts on working with the WA76(mostly vocals and acoustic guitar).
    Soundcloud page: Open Window, musical meanderings https://soundcloud.com/precipice

  15. #365
    Member StarThrower's Avatar
    Join Date
    Oct 2017
    Location
    Upstate NY
    Posts
    315
    My wife wanted to spend some money and get some equipment, so here's what we bought.

    Used Schecter Hellraiser C-1 Black Cherry
    Gretsch-G2420 Streamliner Brooklyn Burst
    Fender Champion 40 amp
    Squire Jaguar short scale bass
    Fender Rumble 40 bass amp
    Yamaha FGX800 Cutaway acoustic

    Pretty happy with this stuff but the Gretsch is a bit tubby in the bass. The Jaguar bass, and Yamaha acoustic are great guitars for the low price. And the Hellraiser is a great guitar if you like active pick-ups. Love the Rumble bass amp too.

  16. #366
    Does anyone know if they make an acoustic 12 string in the half scale size? I have a baby Martin 6 string that is fantastic, but the other night, I was playing it wondering if they made a 12 string version. I have played the Martin live and had multiple people comment on how perfect it sounded - better than their $3K Martins! A 12 string half scale would truly be amazing if it was the same quality as my LX1E.
    I got nothin'

    ...avoiding any implication that I have ever entertained a cognizant thought.

  17. #367
    Member hippypants's Avatar
    Join Date
    Nov 2012
    Location
    Tyler, Tx
    Posts
    544
    I found these on YT. The one with Dweezil Zappa is over my head. I can understand the Mike Stern one better.






  18. #368
    Man of repute progmatist's Avatar
    Join Date
    Nov 2012
    Location
    Mesa, Arizona
    Posts
    611
    Quote Originally Posted by Yodelgoat View Post
    Does anyone know if they make an acoustic 12 string in the half scale size? I have a baby Martin 6 string that is fantastic, but the other night, I was playing it wondering if they made a 12 string version. I have played the Martin live and had multiple people comment on how perfect it sounded - better than their $3K Martins! A 12 string half scale would truly be amazing if it was the same quality as my LX1E.
    Steve Howe has used a small sized 12 string guitar on I've Seen All Good People forever.
    "Well my son, life is like a beanstalk, isn't it?"--Dalai Lama

Bookmarks

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •