Thanks Kai. Obviously I didn't fuss about it on Capitaines, so I should at least give this album the same courtesy.
I kind of liked Éclat before, what little I've heard of their '90's material. Any specific album recommendations?
So far, I'm digging the new MV. A little different, but a fair amount to digest...
Last one of theirs I heard was Le Cri de la Terre from sometime early 2000s, and it wasn't all bad.
Another 80s/90s French "clinical sounding" band I just remembered were Elixir, whose stuff I really didn't care for all too much. They were arguably closer to British "neo" of the day, completely lacking the sting and originality of acts like Halloween or Tiemko.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Confirmed Bachelors: the dramedy hit of 1883...
Edhels or Minimum Vital.
Seriously, if you can imagine a more fusion-oriented take on Hackett's instrumental material from the Spectral/Defector-era, that's about as close as I get. But very uniquely French, I'd say. In a sense, the French had these kinds of bands already in the late 70s with acts like Cortex, Spheroe and the admittedly way more interesting Transit Express.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
^^
They have a cuppa tracks sung in klingon.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
I remember Éclat being about 1/2 instrumental. Some stuff is like Minimum Vital, but I also remember some less interesting tracks that were kind of GRP fuzak sounding.
I just realized that it's actually 25 darn years since Minimum Vital released Sarabandes, which was, what - their third or fourth album? That's a mighty long run and indeed impressive for a band who remain largely unknown with even its purported audience of "prog rock" fans, although I suspect that they were somewhat more appreciated with that crowd in the 90s before those alleged "third wave (blah-blah)" artists came along and pretty much narrowed down the whole deal instead of expanding it in any way.
I'm almost getting a bit nostalgic at the very thought of MV still existing and producing music.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
since we started referencing MV's French peers... the guy who was on the Iris album was in another band... what were they called and were they any good?
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
Maybe I had heard about them before and the Edhels comparison turned me off. I did finally hear Astro-Logical, which I think is strides ahead of the rather amateurish-sounding first two Edhels albums. (The original LP cover to Oriental Christmas never fails to give me a chuckle, though.)
I only have the second Spheroe on CD. I’d seen the first on vinyl before (it was released in the US on the Inner City label) but never picked it up. It’s OK. The only Transit Express I have is Opus Progressif. Again, it’s...OK, but a bit slavish with the Mahavishnu cloning (they recycle the “Dance of Maya” riff several times over the course of this album!). Are the other two better?
I like pretty much everything I’ve heard by them, and I’ve heard them all save for Atlas and the new one!
I imagine you must mean Arakeen. Seems to be some kind of neo-prog with female vocals.
Confirmed Bachelors: the dramedy hit of 1883...
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Haven't heard Oriental Christmas (though that cover is a classic), but I don't find anything amateurish about Still Dream. Their writing style of superimposed ostinati together with lyrical lead lines is actually quite well thought out, their playing neat, though not flashy, and their use of cool and spacey textures stylish. They may not have a grand, large-scale musical ambition or vision on that album, but their miniatures are charming and often much more imaginative than many of the similarly styled attempts at short-form progressive at the time. I actually like this better than their later and more elaborate Angel's Promise.
I couldn't have said it better. Edhels (especially on Still Dream) is an excellent band with their own unique style and sound. Sadly they are often overlooked, falling victim to the onslaught of people labeling them as "Neo". I think their music is a few notches above any "Neo" Prog I've ever heard.
Last edited by MYSTERIOUS TRAVELLER; 02-27-2015 at 03:01 PM.
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
According to Gibraltar Iris' http://www.gepr.net/i.html#IRIS guitarist Sylvain Gouvernaire was in Arrakeen http://www.gepr.net/ar.html#ARRAKEEN
Some maybe programmed, not a fan either but have heard it work real well when done right. IF that is what is needed for the end product to be right then so be it. I assume that Thierry is doing percussions but how much real or programmed IDK.
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
I like this. While not original, an enjoyable listen for me.
Wondering if they’ll ever reissue the complete Les Saisons Marines; the 2-on-1 CD is missing the last track (“La Scala”).
Confirmed Bachelors: the dramedy hit of 1883...
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