We funny Europeans also don't have these sticky seals on CDs.
We funny Europeans also don't have these sticky seals on CDs.
This was the story going around for The Producers as well. We always heard that they screwed up the record label by accidentally starting to get successful and really had to be super under-promoted. Who knows, probably not really true but in the world of labels anything's possible.
This was also the proposed story for Florida's Stranger in the early 80s when they were signed to Epic which is why I mentioned it.....for anybody familiar with Stranger, they became a SouthEast US Phenom after that first and only album on that label which seemed to go Directly to the CutOut Bin/ Do Not Pass "Go"/ Do not Collect $200... and, following that album, were making a very fine living for that region and releasing all sunsequent albums independently...they were offered another Major label deal with a diff label (forgot which one) almost 8 years later of which they refused, having been bitten once
I believe Passport (and earlier, Billingsgate) royally screwed over the European artists whose albums they distributed in the States. Lucifer’s Friend were, I believe, the biggest-selling German band in the US before the release of Kraftwerk’s Autobahn. John Lawton claims that the band didn’t earn a single penny from their US record sales.
Confirmed Bachelors: the dramedy hit of 1883...
In the 90s CDs were not necessarily cut-out, but rather returned, from stores and distributors back to the label. This was the beginning of the death of the music industry. Many a label sunk when this happened.
"Always ready with the ray of sunshine"
Brand X might be he quintessential loss-leader tax-writeoff band.
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