http://www.amazon.com/Missing-Pieces...rds=B000000PM0
1 copy left, $7.97
I just got finished with a National Health festival last week ending with Playtime. Missing Pieces is awesome. Clocks and Clouds and Zagablione feature Amanda Parson's incredible vocals. She is amazing with her range. You can't understand what she's singing,but still unreal. PLaytime has audio problems some tracks you can only hear Phil Miller's guitar through a bleed over aka barely audible,the energy of the band is intense though. Dave Stewart isn't on this though,just Alan Gowen. Is anyone else surprised that Amanda Parsons never did any more recordings after Bruford-Gradually Going Tornado on the song Land's End? She stands out on the debut more than with The Northettes from Hatfield and The North, or Gilgamesh,which I just learned yesterday that she is singing briefly on their debut album. I love her voice and I could listen to it for hours.
Not actually true. She sang backing vocals on quite a few early Stewart/Gaskin songs. Then she did retire. She had a great voice but was better in the studio than live, where she sang out of tune a lot of time - well, that probably had to do with the insane melody lines she was made to sing.
It IS too bad that she didn't at least go on to record a solo album.
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
Let me add to the consensus that the album is excellent. It is mostly demos (if I remember right) done before the first record. It sounds a bit more like the Hatfields than anything else they did.
And yes, the middle section of Clocks and Clouds is among the most beautiful chunks of music ever made
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
According to the liner notes all of these tracks were performed live in front of an audience and unreleased until this record came out except for Phlakaton and Walking The Dog Extract. This was a coming together of Hatfield And The North and Gilgamesh and the first gigging lineup was a seven piece with Stewart, Gowen, Miller, Hillage, Campbell, Bruford and Parsons.
Half of these tracks were written by Mont Campbell.
"The wind is slowly tearing her apart"
Sad Rain
Anekdoten
Liner notes don't always tell the whole truth, especially where BBC radio sessions are concerned !
Are you suggesting these are live performances in public ? Apart from a short bit in "Paracelsus" (the 'fake mistake' bit towards the end) that was edited in from the LSE concert, these are either recorded at the BBC's own studios or in two separate demo sessions, one with a mobile studio and another at Pathway Studios.
If you mean to say that this *material* was performed in front of an audience, yes most of it was, although not "Croquette...", and "Zabaglione" wasn't performed until it was much re-worked and then only played once (with John Mitchell on drums rather than Bruford), as was "Starlight On Seaweed".
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
The liner notes were written by Dave Stewart. I quote "All were played in front of bearded and great-coated audiences of the day(and that was just the women), but hitherto none have been officially released. The exceptions are track 9, a popular miniaturist vocal masterpiece by Pip Pyle which first appeared on the "Of Queues And Cures" LP, and track 12 included for hysterical, if not historical reasons.
"The wind is slowly tearing her apart"
Sad Rain
Anekdoten
Gonna bust this out when Canterbury Binge starts .......bakaaaaaw!
I think he just means to say that this wasn't music that nobody had ever heard, since it WAS performed live, but since nearly all of that material had been "retired" by the time they got a record deal, it wasn't documented on record.
But he didn't mean the versions on "Missing Pieces" were live performances, which he knew they weren't. They were technically 'live', but without an audience.
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
I agree Calyx and in the liner notes it mentions two pieces that were live recordings in "Walking The Dog" performed live at Squat theater, Long Island, winter 1979 and Phlakaton performed by members of the audience at Toronto's The Edge Club, winter, 1979. The rest are listed as demos or radio sessions except Starlight On Seaweed which is a studio recording by Stewart and Gaskins 1995.
"The wind is slowly tearing her apart"
Sad Rain
Anekdoten
Exactly, and one of the reasons why I was never much of a fan of the admittedly (technically) proficient BB. The other drummers Daevid worked with through the years - Pip, Moerlen (now THERE'S a genuine monster!), Allen, Cutler - always appeared to sport a versatility and sensitivity of motions that I never heard in BB. AND they were technically adept.
Last edited by Scrotum Scissor; 12-14-2014 at 03:22 PM.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Genesis didn't agree. And I would concur. I would think it's obvious in almost all of his work, and it probably had to do with him being a jazzer at heart, that especially with King Crimson, but even in Yes, Bruford was always trying to keep changing his playing - patterns, breaks etc. - within each song, the opposite of what a session drummer would do (i.e. play consistently, the same patterns on verses and chorus respectively etc.).
I think what Daevid meant that - especially in a 'hired hand' situation where, like Genesis, he had no deep affinity with the music he played - Bruford kept the same basic approach to the material from night to night, where Laurie Allan would sometimes revisit songs in dramatically different / radical ways (like playing really loud on a passage where he'd until then played very quietly).
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
rcarlberg: Is there anything sadder than a song that has never been played?
Plasmatopia: Maybe a song in D minor that has never been played?
bob_32_116: That would be a terrific triple bill: Cyan, Magenta and Yello.
trurl: The Odyssey: "He's trying to get home."
"Bruford on the other hand was a star. Personable talanted and charismatic were Laurie would take months to learn the set - construct and leave once he could
The Bruford formula had it mastered in 2 rehearsals after which the only thing that changed was the acoustics in the venue
Steve and Moonweed enjoyed this immensely using Bruford's clever and dependable repetitions and easy groove to soar to new heights while Blooomdidoo and I strove in vain to seduce them into taking a pataphysical risk or two." Daevid Allen Gong Dreaming 2 book
My favorite NH. Period. Some amazing pieces on that release.
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