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Thread: What Are Your Favorite Prog Instruments?

  1. #51
    Member Phlakaton's Avatar
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    Dave Stewart's keyboards - ALL OF EM! Grotty ring modulated or whatever he did to them.

  2. #52
    Member Mikhael's Avatar
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    Don't care. It's music that matters.
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  3. #53
    Quote Originally Posted by Squids View Post

    I love ALL Prog keyboards naturally (Mellotrons, Arps, Moog, Hammond etc.). But, I also love the old Rickenbacker 4001 bass which Mike Rutherford, Chris Squire and Geddy Lee used. I'm not much of a bass player personally although I like to have certain instruments around in the studio for others to play. I had a Ricky 4001 in 1994 which I sold to Stan Cotey so he could play the ideal bass sound when we did "The Lamb" with Giraffe. I never should have sold it though! Glad to say I just picked up a 1973 Ricky 4001 for a really good deal. Ahhhhhhhh. That clunky chunky mofo is back in my life!
    Mine, too. Several times I came close to pulling the trigger on buying one, and regret it seeing what they go for now.
    Add to the list Jon Camp of Renaissance, Dave Meros of Spocks Beard, the guy from Anglagard, Gustaf Fjelstrom of Maximum Indifference, I'm sure I'll think of a few more...
    You say Mega Ultra Deluxe Special Limited Edition Extended Autographed 5-LP, 3-CD, 4-DVD, 2-BlueRay, 4-Cassette, five 8-Track, MP4 Download plus Demos, Outtakes, Booklet, T-Shirt and Guitar Pick Gold-Leafed Box Set Version like it's a bad thing...

  4. #54
    image.jpg
    Quote Originally Posted by Squids View Post
    I had a Chapman Stick once. Never should have sold it. That's a cool instrument. Although in the hands of Trey Gunn or Tony Levin it's a whole other thing. I like when Nick Beggs breaks out the Stick during Steve Hackett's show. That's interesting hearing it on... what does he play it on again? I think either Lilywhite Lilith or Broadway Melody of '74 I thought. I forget now.

    You mean, like this?

    Nick plays the stick on LLDOB songs, Fly on a Windshield, Broadway Melody and Liliwhite. A great choice and it makes sense since Rutherford used a Baritone Microfrets Guitar on those songs.

    Note - this was from the Collingswood, NJ show last Saturday. SH was playing at the Space, a venue 10 minutes from my house the Saturday before, but since I saw him on the 2013 leg, I told myself I wouldn't go unless I had front row seats. Then this Saturday morning, a friend said he just interviewed SH and got Comp tickets. So . . I drove 140 miles to see him - 6th row seats. WORTH THE DRIVE!

  5. #55
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    Although I love loud screaming guitar, for prog I would have to say that generally it is the keys that make the music what it is.

  6. #56
    Quote Originally Posted by noisynoise View Post
    Yamaha CP-70 electric piano, adds a very distinct atmosphere, sort of melancholy.
    About 15 ot 20 years ago I went to a music store near where I live and there was a CP-70 with a roadcase with JOBSON and UK stenciled on it.It was selling for $1200. I wanted desperately to buy it but had no money. It sat there for many months.

  7. #57
    Flute. Can't go wrong.
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  8. #58
    Quote Originally Posted by walt View Post
    Saxophone and flute when played by Jimmy Hastings on any/every Canterbury/related record he guested on.
    Clarinet, too. The clarinet is a very underrated/underused instrument in prog. I think only Banco and Supertramp used it to any great degree.

    Quote Originally Posted by butch.....from chicago View Post
    c3......by far

    like the b also....but it is much more better for blues
    Aren’t the B3 and C3 the exact same instrument, just in different cabinets?
    Confirmed Bachelors: the dramedy hit of 1883...

  9. #59
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    Quote Originally Posted by rcarlberg View Post
    Vibes. Not enough prog bands utilize them, either. But they should.
    Can't think of very many off the top of my head. Tunnels of course, and Kansas used to use them on occasion (Steve Walsh is a pretty good vibe player, and used to play them live in concert.)

  10. #60
    North drums (see Gino Vanelli, Brother To Brother).

  11. #61
    Quote Originally Posted by Progbear View Post
    Aren’t the B3 and C3 the exact same instrument, just in different cabinets?
    Yyyyyyyyyyyyyep.

  12. #62
    Member yesman1955's Avatar
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    Anyone know which Mellotron sound is used on the first section of KCs Cirkus?

  13. #63
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    I love analog synths, especially the Minimoog, Modular Moog, Moog Taurus Pedals, ARP 2600, and Roland Guitar synth. Also love the "holy" mellotron (and related tape samplers), and electric guitars played through Marshall Plexi stacks.

    With that said, digital technology can recreate those sounds with such high accuracy these days that I am perfectly happy listening to virtual synths, mellotron, and amps. I use digital modeling in my own recordings for both budgetary and practical reasons.

  14. #64
    Member AncientChord's Avatar
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    No brainer here. The Mellotron. Not the midi or digital ones, but the real deal. Dragging tape loops and all. Deep love!
    Day dawns dark...it now numbers infinity.

  15. #65
    Member AncientChord's Avatar
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    Quote Originally Posted by yesman1955 View Post
    Anyone know which Mellotron sound is used on the first section of KCs Cirkus?
    I believe it's the Brass ( a voice sadly seldom used today ) from the old M-400.
    Day dawns dark...it now numbers infinity.

  16. #66
    Quote Originally Posted by Progbear View Post
    Clarinet, too. The clarinet is a very underrated/underused instrument in prog. I think only Banco and Supertramp used it to any great degree.
    No. Clarinet (as well as bass clarinet) plays a far more integral role in the through-composed charts of bands like Henry Cow, Albert Marcoeur, Debile Menthol, L'Ensemble Rayè, Aqsak Maboul, Stormy Six, Blast, Doctor Nerve, Kruzenshtern I Parohod etc.

    Earlier on it was emplyed by more "conventional" progressive bands like Family and Traffic, in Italy with Maxophone etc.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  17. #67
    Hammered dulcimer!

    No, seriously, if you count Tortoise as prog, then they play a lot of vibes and marimba and whatever the hell else you play with hammers like that.
    rcarlberg: Is there anything sadder than a song that has never been played?
    Plasmatopia: Maybe a song in D minor that has never been played?

    bob_32_116: That would be a terrific triple bill: Cyan, Magenta and Yello.

    trurl: The Odyssey: "He's trying to get home."

  18. #68
    Quote Originally Posted by Dusty Chalk View Post
    if you count Tortoise as prog, then they play a lot of vibes and marimba and whatever the hell else you play with hammers like that.
    Tortoise are "progressive rock music", yes - and collectively possess a wider array of actually trained (academic) musicianship than any other modern such band that I'm aware of.

    For a grand example of offspring from Tortoise's main ideas, check the now long gone Algernon from Philadelphia. They essentially replaced all keys With tuned percussion, working absolute wonders for the material.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  19. #69
    Preaching to the choir: I definitely consider them prog, I just don't hear them talked about much in prog circles.
    rcarlberg: Is there anything sadder than a song that has never been played?
    Plasmatopia: Maybe a song in D minor that has never been played?

    bob_32_116: That would be a terrific triple bill: Cyan, Magenta and Yello.

    trurl: The Odyssey: "He's trying to get home."

  20. #70
    Quote Originally Posted by Dusty Chalk View Post
    Preaching to the choir: I definitely consider them prog, I just don't hear them talked about much in prog circles.
    Lotsa 'toise fans in here at least, I can tell you that.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  21. #71
    I'm here for the moosic NogbadTheBad's Avatar
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    I'm certainly one
    Ian

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  22. #72
    Adding an instrument changes the character of a band's music fundamentally. Many accusations of doing the same album over and over again would disappear if they only added something different in terms of a musical instrument, and I'm primarily thinking of sympho bands, of course.
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  23. #73
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    My favorite prog instrument might possibly be Fish's vocals/voice during Fish-era Marillion.
    Quote Originally Posted by Smörgåsbord View Post
    Adding an instrument changes the character of a band's music fundamentally.
    Yes. See my first sentence above. :-)

  24. #74
    Boo! walt's Avatar
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    Trombone lends heft,swagger and deep earthy tones if used well.I'm thinking of trombone in Zappa/MoI, Beefheart and especially in Terje Rypdal's Odyssey band.
    "please do not understand me too quickly"-andre gide

  25. #75
    Quote Originally Posted by walt View Post
    Trombone lends heft,swagger and deep earthy tones if used well.I'm thinking of trombone in Zappa/MoI, Beefheart and especially in Terje Rypdal's Odyssey band.
    And many bands influenced thereby, like Tipographica, Hardscore and Isildurs Bane on their MIND-series. One of my fave uses of trombone in a rock context, though, remains Shub-Niggurath's Les Morts Vont Vite; to have a basic instrument such as this transcend its whole function given a disparate environment - such a move speaks of creativity. During the last 15 years or so, I thought Deus Ex Machina employed the trombone marvellously on Equilibrismo da Insofferrenza - and that's a monster album itself right there.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

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