Dave Stewart's keyboards - ALL OF EM! Grotty ring modulated or whatever he did to them.
Dave Stewart's keyboards - ALL OF EM! Grotty ring modulated or whatever he did to them.
Don't care. It's music that matters.
Gnish-gnosh borble wiff, shlauuffin oople tirk.
Mine, too. Several times I came close to pulling the trigger on buying one, and regret it seeing what they go for now.
Add to the list Jon Camp of Renaissance, Dave Meros of Spocks Beard, the guy from Anglagard, Gustaf Fjelstrom of Maximum Indifference, I'm sure I'll think of a few more...
You say Mega Ultra Deluxe Special Limited Edition Extended Autographed 5-LP, 3-CD, 4-DVD, 2-BlueRay, 4-Cassette, five 8-Track, MP4 Download plus Demos, Outtakes, Booklet, T-Shirt and Guitar Pick Gold-Leafed Box Set Version like it's a bad thing...
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You mean, like this?
Nick plays the stick on LLDOB songs, Fly on a Windshield, Broadway Melody and Liliwhite. A great choice and it makes sense since Rutherford used a Baritone Microfrets Guitar on those songs.
Note - this was from the Collingswood, NJ show last Saturday. SH was playing at the Space, a venue 10 minutes from my house the Saturday before, but since I saw him on the 2013 leg, I told myself I wouldn't go unless I had front row seats. Then this Saturday morning, a friend said he just interviewed SH and got Comp tickets. So . . I drove 140 miles to see him - 6th row seats. WORTH THE DRIVE!
Although I love loud screaming guitar, for prog I would have to say that generally it is the keys that make the music what it is.
Flute. Can't go wrong.
Check out my concert videos on my youtube channel: http://www.youtube.com/user/broadaccent
Confirmed Bachelors: the dramedy hit of 1883...
North drums (see Gino Vanelli, Brother To Brother).
Anyone know which Mellotron sound is used on the first section of KCs Cirkus?
I love analog synths, especially the Minimoog, Modular Moog, Moog Taurus Pedals, ARP 2600, and Roland Guitar synth. Also love the "holy" mellotron (and related tape samplers), and electric guitars played through Marshall Plexi stacks.
With that said, digital technology can recreate those sounds with such high accuracy these days that I am perfectly happy listening to virtual synths, mellotron, and amps. I use digital modeling in my own recordings for both budgetary and practical reasons.
No brainer here. The Mellotron. Not the midi or digital ones, but the real deal. Dragging tape loops and all. Deep love!
Day dawns dark...it now numbers infinity.
No. Clarinet (as well as bass clarinet) plays a far more integral role in the through-composed charts of bands like Henry Cow, Albert Marcoeur, Debile Menthol, L'Ensemble Rayè, Aqsak Maboul, Stormy Six, Blast, Doctor Nerve, Kruzenshtern I Parohod etc.
Earlier on it was emplyed by more "conventional" progressive bands like Family and Traffic, in Italy with Maxophone etc.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Hammered dulcimer!
No, seriously, if you count Tortoise as prog, then they play a lot of vibes and marimba and whatever the hell else you play with hammers like that.
rcarlberg: Is there anything sadder than a song that has never been played?
Plasmatopia: Maybe a song in D minor that has never been played?
bob_32_116: That would be a terrific triple bill: Cyan, Magenta and Yello.
trurl: The Odyssey: "He's trying to get home."
Tortoise are "progressive rock music", yes - and collectively possess a wider array of actually trained (academic) musicianship than any other modern such band that I'm aware of.
For a grand example of offspring from Tortoise's main ideas, check the now long gone Algernon from Philadelphia. They essentially replaced all keys With tuned percussion, working absolute wonders for the material.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Preaching to the choir: I definitely consider them prog, I just don't hear them talked about much in prog circles.
rcarlberg: Is there anything sadder than a song that has never been played?
Plasmatopia: Maybe a song in D minor that has never been played?
bob_32_116: That would be a terrific triple bill: Cyan, Magenta and Yello.
trurl: The Odyssey: "He's trying to get home."
I'm certainly one
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
Adding an instrument changes the character of a band's music fundamentally. Many accusations of doing the same album over and over again would disappear if they only added something different in terms of a musical instrument, and I'm primarily thinking of sympho bands, of course.
Check out my concert videos on my youtube channel: http://www.youtube.com/user/broadaccent
Trombone lends heft,swagger and deep earthy tones if used well.I'm thinking of trombone in Zappa/MoI, Beefheart and especially in Terje Rypdal's Odyssey band.
"please do not understand me too quickly"-andre gide
And many bands influenced thereby, like Tipographica, Hardscore and Isildurs Bane on their MIND-series. One of my fave uses of trombone in a rock context, though, remains Shub-Niggurath's Les Morts Vont Vite; to have a basic instrument such as this transcend its whole function given a disparate environment - such a move speaks of creativity. During the last 15 years or so, I thought Deus Ex Machina employed the trombone marvellously on Equilibrismo da Insofferrenza - and that's a monster album itself right there.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
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